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Theatre & violence / Lucy Nevitt.

By: Material type: TextTextSeries: Theatre& | Theatre&Publisher: Houndmills, Basingstoke, Hampshire ; New York, NY : Palgrave Macmillan, 2013Description: xii, 83 pages ; 18 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781137302274 (pbk.)
Other title:
  • Theater & violence
  • Theater and violence
  • Theatre and violence
Subject(s): DDC classification:
  • 792.02/8 23
LOC classification:
  • PN1650.V55 N48 2013
Contents:
Two examples of spectating violence -- Thinking about theatre and violence -- Spectatorship -- Cause and effect -- The act of showing : performativity and ideology -- History and canonical evidence -- Actuality and simulation -- Beyond performance -- Conclusion.
Summary: Throughout history, theatre has allowed actors and audiences to consider the possibilities and realities of violence. This book explores the use of violence in theatre and its effect on spectators. Critically engaging with examples of stage combat, rape, terrorism, wrestling and historical re-enactments, it questions perceived boundaries between real and simulated violence and asks how violence can challenge social structures. Ultimately, Nevitt argues that performed violence can be part of a desire to create a more peaceful world.
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Holdings
Item type Current library Collection Call number Status Barcode
Books Books SPAA Library General Collection On Shelves PN1650.V55 N48 2013 (Browse shelf(Opens below)) Available 0002194

P.B

Includes bibliographical references (pages 78-80) and index.

Two examples of spectating violence -- Thinking about theatre and violence -- Spectatorship -- Cause and effect -- The act of showing : performativity and ideology -- History and canonical evidence -- Actuality and simulation -- Beyond performance -- Conclusion.

Throughout history, theatre has allowed actors and audiences to consider the possibilities and realities of violence. This book explores the use of violence in theatre and its effect on spectators. Critically engaging with examples of stage combat, rape, terrorism, wrestling and historical re-enactments, it questions perceived boundaries between real and simulated violence and asks how violence can challenge social structures. Ultimately, Nevitt argues that performed violence can be part of a desire to create a more peaceful world.

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