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Shakespeare and Meisner : a practical guide for actors, directors, students and teachers / Aileen Gonsalves and Tracy Irish.

By: Contributor(s): Material type: TextTextSeries: Arden Performance CompanionsPublisher: London [England] : The Arden Shakespeare, 2021Distributor: London [England] : Bloomsbury Publishing, 2021Edition: First editionDescription: 1 online resource (152 pages)Content type:
  • text
Media type:
  • electronic
Carrier type:
  • online resource
ISBN:
  • 9781350118430
  • 1350118435
  • 9781350118423
  • 1350118427
Subject(s): Genre/Form: DDC classification:
  • 792.02807 23
LOC classification:
  • PN2075 .G67 2021eb
Online resources:
Contents:
Chapter 1: Introduction -- Part 1. Sanford Meisner and his work. Chapter 2. Meisner's influences ; Chapter 3. The reality of doing ; Chapter 4. Repetition ; Chapter 5. Independent activity and knock on the door ; Chapter 6. Given and imaginary circumstances ; Chapter 7. Preparation and as ifs -- Part 2. Bringing in text. Chapter 8. Learning lines ; Chapter 9. Paraphrasing, breaking the back and soliloquies ; Chapter 10. The strengths and limitations of Meisner for working with Shakespeare -- Part 3. Aileen Gonsalves in conversation with Tracy Irish about how Butterfly Ttheatre Company use Meisner's technique. Chapter 11. Taking Meisner's principles into the practice of Butterfly Theatre Company's 'Five conditions' ; Chapter 12. Taking Meisner's principles into the practice of Butterfly Theatre Company's work with Shakespeare's text.
Summary: "This practical handbook is invaluable for anyone performing, teaching, studying or simply wanting a new way to enjoy Shakespeare. It provides an outline of Meisner's work and legacy, a discussion of that legacy in the light of the enduring global popularity of Shakespeare, and a wealth of practical exercises drawn from Meisner's techniques. Shakespeare writes about the truth in human relationships and human hearts. Sanford Meisner's work unlocks truthful acting. They would seem a perfect match. Yet, following Meisner's note to his actors that 'text is your greatest enemy', Shakespeare and Meisner are often considered 'strange bedfellows'. The rhetorical complexity of Shakespeare's text can often be perceived as rules an actor must learn in order to perform Shakespeare 'properly'. Meisner's main rule is that 'you can't say ouch until you've been pinched': in other words, an actor must genuinely feel something in order to react in a performance which is alive to the moment. This book explores how actors can use Meisner's tools of 'acting is reacting' to discover the infinite freedom within the apparent constraints of Shakespeare's text."-- Provided by publisher.
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Item type Current library Collection Call number Status Barcode
Books Books SPAA Library General Collection On Shelves PN2075 .G67 2021eb (Browse shelf(Opens below)) Available 0007681

Includes bibliographical references.

Chapter 1: Introduction -- Part 1. Sanford Meisner and his work. Chapter 2. Meisner's influences ; Chapter 3. The reality of doing ; Chapter 4. Repetition ; Chapter 5. Independent activity and knock on the door ; Chapter 6. Given and imaginary circumstances ; Chapter 7. Preparation and as ifs -- Part 2. Bringing in text. Chapter 8. Learning lines ; Chapter 9. Paraphrasing, breaking the back and soliloquies ; Chapter 10. The strengths and limitations of Meisner for working with Shakespeare -- Part 3. Aileen Gonsalves in conversation with Tracy Irish about how Butterfly Ttheatre Company use Meisner's technique. Chapter 11. Taking Meisner's principles into the practice of Butterfly Theatre Company's 'Five conditions' ; Chapter 12. Taking Meisner's principles into the practice of Butterfly Theatre Company's work with Shakespeare's text.

"This practical handbook is invaluable for anyone performing, teaching, studying or simply wanting a new way to enjoy Shakespeare. It provides an outline of Meisner's work and legacy, a discussion of that legacy in the light of the enduring global popularity of Shakespeare, and a wealth of practical exercises drawn from Meisner's techniques. Shakespeare writes about the truth in human relationships and human hearts. Sanford Meisner's work unlocks truthful acting. They would seem a perfect match. Yet, following Meisner's note to his actors that 'text is your greatest enemy', Shakespeare and Meisner are often considered 'strange bedfellows'. The rhetorical complexity of Shakespeare's text can often be perceived as rules an actor must learn in order to perform Shakespeare 'properly'. Meisner's main rule is that 'you can't say ouch until you've been pinched': in other words, an actor must genuinely feel something in order to react in a performance which is alive to the moment. This book explores how actors can use Meisner's tools of 'acting is reacting' to discover the infinite freedom within the apparent constraints of Shakespeare's text."-- Provided by publisher.

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