Materialisation in art & design (MAD) / Herman Verkerk and Maurizio Montalti (eds.).
Material type:
- still image
- text
- unmediated
- volume
- 3956794834
- 9783956794834
- Materialisation in art and design (MAD)
- 745.4 23
- NK1505 .M38 2019
Item type | Current library | Call number | Status | Barcode | |
---|---|---|---|---|---|
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SPAA Library General Collection | NK1505 .M38 2019 (Browse shelf(Opens below)) | Available | 0007870 |
P.B
P.B
Includes bibliographical references.
Temporary Master : Materialisation in Art & Design (MAD) : Has the World Gone MAD? / Herman Verkerk and Maurizio Montalti -- Entering the Sphere / Jens Pfeifer -- Photography without a Camera / Anne Büscher -- Amuse-bouche / Dominique Festa -- A Hall of Mirrors in Art Production : The Academic Workplace as a Copy Machine / Jeroen van den Eijnde -- One Leap / Ellen Vr̄tun -- Onderwerp : Production / Julien Manaira -- Letting Go / Iris Box -- Material Anyways : Group exhibition De Veemvloer, Amsterdam January 31, 2016 -- Art and Craft / Koen Brams -- List of MAD Written Vocabulary / Mio Fujimaki -- The Wood for the Trees / Oliver Barstow -- Still Wet : Group exhibition Burgerweeshuis, Amsterdam June 16, 2016 -- ... And she puts this metal rod in and twists it : The Emancipatory Aspects of the Workshop in the Art Academy / Carly Rose Bedford and Gabriel A. Maher -- Send Something : Thesis group performance Mediamatic Biotoop, Amsterdam November 30, 2016 -- A Modest Manifesto / Snejanka Mihaylova and Lisette Smits -- Once It Rains / Thom van Hoek -- Material Library / Caroline Jacob -- Does This Count as Protein? : Graduation show Looiersgracht 60, Amsterdam June 14, 2017 -- The Program 2015-17 / Herman Verkerk and Maurizio Montalti -- Glossary.
When making things without prior knowledge of "the material," how should such naive and potentially brutal behavior be interpreted, and what does it represent and generate? The temporary master Materialisation in Art & Design (MAD) investigated this question through multiple ways of working, on a permanent quest to (re)establish our relationship with "material" on both a personal and a societal level. This book reflects on the experiences generated through the lens of MAD. With contributions from the program directors, MAD alumni, and experts in the field, it examines the position of the workshop within the art academy. By implication, it also reflects on the need for collective creative output in an increasingly individualized society, questioning the traditional frameworks of art and design education.
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