TY  - BOOK
AU  - Westheider,Ortrud
AU  - Philipp,Michael
AU  - Zamani,Daniel
AU  - Pohlmann,Ulrich
ED  - Museum Barberini (Potsdam, Germany),
ED  - Von der Heydt-Museum,
TI  - A new art: photography and impressionism 
SN  - 3791379402
AV  - N72.P5 N4713 2022
U1  - 770.9/034 23
PY  - 2022///]
CY  - Munich
PB  - Prestel
KW  - Art and photography
KW  - Europe
KW  - History
KW  - 19th century
KW  - Exhibitions
KW  - Photography, Artistic
KW  - Impressionism (Art)
KW  - Photographie
KW  - Histoire
KW  - 19e sic̈le
KW  - Expositions
KW  - Impressionnisme (Art)
KW  - Art et photographie
KW  - fast
KW  - Photography
KW  - exhibition catalogs
KW  - aat
KW  - Illustrated works
KW  - Essays
KW  - Exhibition catalogs
KW  - lcgft
KW  - Catalogues d'exposition
KW  - rvmgf
KW  - Ouvrages illustrš
N1  - SIBF2023; P.B; Includes bibliographical references (pages 270-276); Foreword --; Rivalry and Emancipation: Photography and the Traditional Fine Arts in the Nineteenth Century; Ulrich Pohlmann --; Countryside, Seaside, City: Painting and Photography en plein air; Dominique de Font-Rǎulx --; Fleetingness: Paris, Modernity, and the Arts; Bernd Stiegler --; Taches: Spots, Blots, and Blurs in Impressionism and Photography; Matthias Krüger --; Color Experiments: The Vienna Camera-Club; Monika Faber --; The Path to the Museum: Early Photographic Collections in Germany; Esther Ruelfs --; Catalog of Exhibited Works; Daniel Zamani --; Majestic Expanses: Sky and Sea --; Center of Modernity: Paris --; Shadow and Light: Forest Scenes --; Everyday Motifs: Countryside and River --; Painterly Photographs: Pictorialism --; The World in Color: Autochromes --; List of Exhibited Works --; Biographies; Miriam Leimer --; Dialogue: Photography and Painting, 1860-1914 --; Glossary; Christine Rottmeier Kess --; Selected Bibliography --; Image Credits --; Authors
N2  - "In the 19th century, numerous photographers chose the same motifs as Impressionist painters: the forest of Fontainebleau, the cliffs of Étretat or the modern metropolis of Paris. They, too, studied the changing light, seasons and weather conditions. From its inception, photographers pursued artistic ambitions, as evidenced by their experimentation with composition and perspective, by means of various technical procedures. Until the First World War, the relationship between photography and painting was characterized both by competition and mutual influence. The exhibition and catalogue examine these interactions and illuminate the development of the new medium from the 1850s to its establishment as an autonomous art form around 1900"--
ER  -