TY  - BOOK
AU  - Reybrouck,Mark
TI  - Musical sense-making: enactment, experience and computation 
T2  - SEMPRE studies in the psychology of music
SN  - 0429274017
AV  - ML3830 R493 2021
U1  - 781.1/1 23
PY  - 2021///
CY  - London
PB  - Routledge, Taylor & Francis Group
KW  - Music
KW  - Philosophy and aesthetics
KW  - Psychological aspects
KW  - Musical perception
KW  - Musique
KW  - Aspect psychologique
KW  - Philosophie et esthétique
KW  - Perception de la musique
KW  - MUSIC
KW  - General
KW  - bisacsh
KW  - fast
N1  - Includes bibliographical references and index; Chapter 1: IntroductionChapter 2: Musical Sense-Making: Enaction, Experience, and ComputationChapter 3: Sense-Making and the Enactive ApproachChapter 4: Musical Meaning: Representational-Computational versus Dynamic-Experiential ApproachChapter 5: Experience and Interaction: Ecological, Cybernetic, and Embodied ClaimsChapter 6: From Interaction to Sense-MakingChapter 7: Music and the Extended Computational ApproachChapter 8: Perspectives and Future Epistemology: Social Cognition, Dynamical Systems Theory, and Neurophenomenology
N2  - Musical Sense-Making: Enaction, Experience, and Computation broadens the scope of musical sense-making from a disembodied cognitivist approach to an experiential approach. Revolving around the definition of music as a temporal and sounding art, it argues for an interactional and experiential approach that brings together the richness of sensory experience and principles of cognitive economy. Starting from the major distinction between in-time and outside-of-time processing of the sounds, this volume provides a conceptual and operational framework for dealing with sounds in a real-time listening situation, relying heavily on the theoretical groundings of ecology, cybernetics, and systems theory, and stressing the role of epistemic interactions with the sounds. These interactions are considered from different perspectives, bringing together insights from previous theoretical groundings and more recent empirical research. The author's findings are framed within the context of the broader field of enactive and embodied cognition, recent action and perception studies, and the emerging field of neurophenomenology and dynamical systems theory. This volume will particularly appeal to scholars and researchers interested in the intersection between music, philosophy, and/or psychology
UR  - https://www.taylorfrancis.com/books/e/9780429274015
UR  - https://www.vlebooks.com/vleweb/product/openreader?id=none&isbn=9781000260878
ER  -