TY - BOOK AU - Adiseshiah,Siân Helen TI - Utopian drama: in search of a genre T2 - Methuen drama engage SN - 9781474295819 AV - PN1650.U86 A35 2022 U1 - 809.2 21 PY - 2022/// CY - London, New York PB - Methuen Drama KW - Utopian plays KW - Drama KW - History and criticism KW - Imaginary places in literature N1 - P.B; Includes bibliographical references and index; Introduction: Dramaturgies of hope -- Utopia, drama, genre -- Genealogical beginnings : old comedy, longing, and laughter -- Temporary utopias of female community -- The enhanced utopian subject -- Utopia and the triumph of ordinary life -- Utopian conversations N2 - "As the first full-length study to analyse utopian plays in Western drama from antiquity to the present, Utopian Drama: In Search of a Genre offers an illuminating appraisal of the objectives of utopianism as manifested in drama through the ages, and carefully ascertains the added value that live performance brings to the persuasion of utopian thought. Siân Adiseshiah scrutinises the distinctive intervention of utopian drama through its examination alongside the utopian prose tradition - in this way, the book establishes new ways of approaching utopian aesthetics and new ways of interpreting utopian drama. This book provides fresh understandings of the generic features of utopian plays, identifies the gains of establishing a new genre, and ascertains ways in which this genre functions as political theatre. Referring to over 40 plays, of which 18 are examined in detail, Utopian Drama traces the emergence of the utopian play in the Western tradition from ancient Greek Comedy to experimental contemporary work. Works discussed in detail include plays by Aristophanes, Margaret Cavendish, George Bernard Shaw, Howard Brenton, Claire MacDonald, Cesi Davidson, and Mojisola Adebayo. As well as offering extended attention to the work of these playwrights, the book reflects on the development of utopian drama through history, notes the persistent features, tropes, and conventions of utopian plays, and considers the implications of their registration for both theatre studies and utopian studies"-- ER -