Mamet, David. <br/><br/>
Theatre / 
David Mamet. 
 - London :  Faber and Faber,  2010. 
 - x, 157 pages ;  22 cm 
<br/><br/>P.B P.B 
<br/><br/>Includes bibliographical references. 
<br/><br/> Calls for no less than the death of the director and the end to acting theory, arguing that either actors are good or they are non-actors, and that good actors work best without the interference of a director.  The greenroom -- The hunter and the game -- Hunting instincts -- The lamppost and the alley -- The fatal spin -- The problem with "training", or, "Slaves of the ant-god, Throog"--Emotion -- The map and the territory -- Theatrical forms -- Totalitarian tendencies -- Repression -- Politically correct -- Great American plays and great American poetry -- The bathing machine -- Stagecraft -- Impertinence -- The end of adolescence -- Subvention -- Two teachers -- A culture of confession -- Theatrical culture -- Third parties -- On the general uselessness of the rehearsal process -- The fallacy of the director -- Directing for the stage -- Time. 
<br/><br/><label>ISBN: </label>0571255248 9780571255245 
<br/><br/><label>Nat. Bib. No.: </label>GBA9C5149  bnb 
<br/><br/><label>Nat. Bib. Agency Control No.: </label>015448168  Uk 
<br/><br/><label>Subjects--Topical Terms: </label><br/>Theater--Philosophy.<br/>Teater--teori, filosofi.<br/>Theater--Philosophy.
<br/><br/><label>LC Class. No.: </label>PN2039  / .M36 2010b 
<br/><br/><label>Dewey Class. No.: </label>792.01