TY  - BOOK
AU  - Gonsalves,Aileen
AU  - Irish,Tracy
TI  - Shakespeare and Meisner: a practical guide for actors, directors, students and teachers 
T2  - Arden Performance Companions
SN  - 9781350118430
AV  - PN2075 .G67 2021eb
U1  - 792.02807 23
PY  - 2021///
CY  - London [England]
PB  - The Arden Shakespeare
KW  - Shakespeare, William,
KW  - Meisner, Sanford
KW  - Meisner, Sanford.
KW  - Acting
KW  - Study and teaching
KW  - Art dramatique
KW  - Étude et enseignement
KW  - Acting techniques
KW  - bicssc
KW  - Shakespeare studies & criticism
KW  - Literary Criticism
KW  - Shakespeare
KW  - bisacsh
KW  - fast
KW  - Criticism, interpretation, etc
N1  - Includes bibliographical references; Chapter 1: Introduction -- Part 1. Sanford Meisner and his work. Chapter 2. Meisner's influences ; Chapter 3. The reality of doing ; Chapter 4. Repetition ; Chapter 5. Independent activity and knock on the door ; Chapter 6. Given and imaginary circumstances ; Chapter 7. Preparation and as ifs -- Part 2. Bringing in text. Chapter 8. Learning lines ; Chapter 9. Paraphrasing, breaking the back and soliloquies ; Chapter 10. The strengths and limitations of Meisner for working with Shakespeare -- Part 3. Aileen Gonsalves in conversation with Tracy Irish about how Butterfly Ttheatre Company use Meisner's technique. Chapter 11. Taking Meisner's principles into the practice of Butterfly Theatre Company's 'Five conditions' ; Chapter 12. Taking Meisner's principles into the practice of Butterfly Theatre Company's work with Shakespeare's text
N2  - "This practical handbook is invaluable for anyone performing, teaching, studying or simply wanting a new way to enjoy Shakespeare. It provides an outline of Meisner's work and legacy, a discussion of that legacy in the light of the enduring global popularity of Shakespeare, and a wealth of practical exercises drawn from Meisner's techniques. Shakespeare writes about the truth in human relationships and human hearts. Sanford Meisner's work unlocks truthful acting. They would seem a perfect match. Yet, following Meisner's note to his actors that 'text is your greatest enemy', Shakespeare and Meisner are often considered 'strange bedfellows'. The rhetorical complexity of Shakespeare's text can often be perceived as rules an actor must learn in order to perform Shakespeare 'properly'. Meisner's main rule is that 'you can't say ouch until you've been pinched': in other words, an actor must genuinely feel something in order to react in a performance which is alive to the moment. This book explores how actors can use Meisner's tools of 'acting is reacting' to discover the infinite freedom within the apparent constraints of Shakespeare's text."--
UR  - https://doi.org/10.5040/9781350118430?locatt=label:secondary_bloomsburyCollections
UR  - http://public.eblib.com/choice/PublicFullRecord.aspx?p=6498759
UR  - http://www.vlebooks.com/vleweb/product/openreader?id=none&isbn=9781350118416
UR  - https://www.vlebooks.com/vleweb/product/openreader?id=none&isbn=9781350118423
ER  -