Gonsalves, Aileen, <br/><br/>
Shakespeare and Meisner :  a practical guide for actors, directors, students and teachers / 
Aileen Gonsalves and Tracy Irish. 
 - First edition. 
 - 1 online resource (152 pages). 
 - Arden Performance Companions .
 - Arden Performance Companions. .
<br/><br/>Includes bibliographical references. 
<br/><br/>Chapter 1: Introduction -- Part 1. Sanford Meisner and his work. Chapter 2. Meisner's influences ; Chapter 3. The reality of doing ; Chapter 4. Repetition ; Chapter 5. Independent activity and knock on the door ; Chapter 6. Given and imaginary circumstances ; Chapter 7. Preparation and as ifs -- Part 2. Bringing in text. Chapter 8. Learning lines ; Chapter 9. Paraphrasing, breaking the back and soliloquies ; Chapter 10. The strengths and limitations of Meisner for working with Shakespeare -- Part 3. Aileen Gonsalves in conversation with Tracy Irish about how Butterfly Ttheatre Company use Meisner's technique. Chapter 11. Taking Meisner's principles into the practice of Butterfly Theatre Company's 'Five conditions' ; Chapter 12. Taking Meisner's principles into the practice of Butterfly Theatre Company's work with Shakespeare's text. 
<br/><br/> "This practical handbook is invaluable for anyone performing, teaching, studying or simply wanting a new way to enjoy Shakespeare. It provides an outline of Meisner's work and legacy, a discussion of that legacy in the light of the enduring global popularity of Shakespeare, and a wealth of practical exercises drawn from Meisner's techniques. Shakespeare writes about the truth in human relationships and human hearts. Sanford Meisner's work unlocks truthful acting. They would seem a perfect match. Yet, following Meisner's note to his actors that 'text is your greatest enemy', Shakespeare and Meisner are often considered 'strange bedfellows'. The rhetorical complexity of Shakespeare's text can often be perceived as rules an actor must learn in order to perform Shakespeare 'properly'. Meisner's main rule is that 'you can't say ouch until you've been pinched': in other words, an actor must genuinely feel something in order to react in a performance which is alive to the moment. This book explores how actors can use Meisner's tools of 'acting is reacting' to discover the infinite freedom within the apparent constraints of Shakespeare's text."-- 
<br/><br/><label>ISBN: </label>9781350118430 1350118435 9781350118423 1350118427 
<br/><br/><label>Standard No.: </label>10.5040/9781350118430  doi 
<br/><br/><label>Subjects--Personal Names: </label><br/>Shakespeare, William, 1564-1616 --Criticism and interpretation.<br/>Meisner, Sanford--Criticism and interpretation.<br/>Meisner, Sanford.<br/>Shakespeare, William, 1564-1616. 
<br/><br/><label>Subjects--Topical Terms: </label><br/>Acting--Study and teaching.<br/>Art dramatique--Étude et enseignement.<br/>Acting techniques.<br/>Shakespeare studies & criticism.<br/>Literary Criticism--Shakespeare.<br/>Acting--Study and teaching.
<br/><br/><label>Index Terms--Genre/Form: </label><br/>Criticism, interpretation, etc.
<br/><br/><label>LC Class. No.: </label>PN2075  / .G67 2021eb 
<br/><br/><label>Dewey Class. No.: </label>792.02807