TY - BOOK AU - Frank,Frédéric AU - Bocquillon-Ferretti,Marina AU - Westheider,Ortrud AU - Philipp,Michael AU - Dupouy,Raphaël AU - Haudiquet,Annette AU - Nonne,Monique AU - Thomson,Richard AU - Reis,Valérie AU - Zamani,Daniel AU - Derviş,Martina AU - Imrie,Malcolm AU - McInnes,Robert AU - Hurd,Philippa AU - Cross,Henri Edmond ED - Musée des impressionnismes (Giverny, France), ED - Museum Barberini (Potsdam, Germany), ED - Prestel Verlag, TI - Color and light: the Neo-impressionist Henri-Edmond Cross SN - 3791357735 AV - ND553.C964 A4 2018 U1 - 709.944 PY - 2018///] CY - Munich, Germany, London, England, New York, New York PB - Prestel KW - Cross, Henri Edmond, KW - Neo-impressionism (Art) KW - France KW - Exhibitions KW - Avant-garde (Aesthetics) KW - Color in art KW - Painting, French KW - 19th century KW - 20th century KW - Male artists KW - Anarchist artists KW - Néo-impressionnisme (Art) KW - Expositions KW - Couleur dans l'art KW - Peinture française KW - 19e siècle KW - 20e siècle KW - Artistes masculins KW - Themes, motives KW - fast KW - Essay KW - exhibition catalogs KW - aat KW - illustrated books KW - Illustrated works KW - Essays KW - Criticism, interpretation, etc KW - Exhibition catalogs KW - lcgft KW - Catalogues d'exposition KW - rvmgf KW - Essais KW - Ouvrages illustrés N1 - "Translations: Martina Dervis, Malcolm Imrie, and Robert McInnes (French-English); Philippa Hurd (German-English)"--Colophon; Catalog of an exhibition at Musée des impressionnismes Giverny, July 27-November 4, 2018; and Museum Barberini, Potsdam, November 17, 2018-February 17, 2019; P.B; P.B; Includes bibliographical references (pages 264-268); Foreword --; Henri-Edmond Cross and Germany; Marina Ferretti Bocquillon --; "To paint happiness"? : Henri-Edmond Cross's landscapes; Daniel Zamani --; Henri-Edmond Cross : anarchism, ambiguity, and Nietzsche; Richard Thomson --; Henri-Edmond Cross and Belgium; Monique Nonne --; Henri-Edmond Cross : an unrecognized Néo draftsman; Annette Haudiquet --; Catalog of exhibited works; From the academy to the pictorial avant-garde : Henri-Edmond Cross's early works; Valérie Reis; Henri-Edmond Cross, Neo-Impressionist painter; Marina Ferretti Bocquillon; A pioneer of modern painting : Henri-Edmond Cross's late works; Daniel Zamani; Henri-Edmond Cross's works on paper : "become who you are"; Marina Ferretti Bocquillon; Appendix; "The most beautiful region in the world" : Henri-Edmond Cross and Le Lavandou; Raphaël Dupouy; Chronology; Valérie Reis N2 - Inspired by the work of Realist painters such as Gustave Courbet and Francois Bonvin, Henri-Edmond Cross's earliest paintings were compositions in dark, somber colors. Following his involvement with the avant-gardist circle around Georges Seurat, he gradually adopted the Neo-Impressionist technique and began to develop a unique visual vocabulary. After his move to the Mediterranean coast in 1891, Cross's palette became increasingly lighter, resulting in dazzlingly colorful landscapes, genre paintings, and compositions that are overlaid with mythological and allegorical allusions. This volume traces Cross's artistic trajectory through all stages of his prolific career and situates his masterful approach to color and light within the broader context of the European avant-garde of his time. In addition, it examines the painter's anarchist sympathies and the political dimensions of his depictions of utopian sceneries. Exhibition: Museum Barberini, Potsdam, Germany (17.11.2018-17.02.2019); "In 1891 Henri-Edmond Cross was one of the first painters who decided to settle down on the coast of southern France. As Maurice Denis remembered: 'In this northerner's pale eyes there shone all the brilliant light of the Midi.' Surrounded by gloriously beautiful nature, Cross devoted himself to his art, which attests to a marvelous conquest of color. His development leads from the austere portraits of his early period to intensely colored nudes depicted in leisurely abandon in Mediterranean landscapes. This catalog retraces Cross's career in its entirety, focusing on the artist's growing command of color in its astoundingly infinite variations and highlighting the painter's role in the liberation of color at the dawn of the twentieth century." ER -