TY - BOOK AU - Parry,James TI - Orientalist lives: western artists in the Middle East, 1830-1920 SN - 9789774168352 AV - N8217.E88 P37 2018 U1 - 704.9/4995 23 PY - 2018/// CY - Cairo, Egypt, New York, NY PB - The American University in Cairo Press KW - Europa KW - gnd KW - Orientalism in art KW - Art, European KW - 19th century KW - 20th century KW - Orientalisme dans l'art KW - Art européen KW - 19e siècle KW - ART KW - European KW - bisacsh KW - fast KW - Amerikaner KW - Europäer KW - Künstler KW - Malerei KW - Naher Osten KW - Motiv KW - Orientalismus KW - Kunst KW - Reise KW - Reisebild KW - Rezeption KW - nli KW - Exoticism in art KW - Painting, Modern KW - Painting, European KW - Orient KW - Westliche Welt KW - Middle East KW - In art KW - Africa, North N1 - P.B; P.B; Includes bibliographical references and index (pages 277-294) N2 - In one of the most remarkable artistic pilgrimages in history, the nineteenth century saw scores of Western artists heading to the Middle East. Inspired by the allure of the exotic Orient, they went in search of subjects for their paintings. Orientalist Lives looks at what led this surprisingly diverse and idiosyncratic group of men-and some women-to often remote and potentially dangerous locations, from Morocco to Egypt, the Levant, and Turkey. There they lived, worked, and traveled for weeks or months on end, gathering material with which to create art for their clients back in the drawing-rooms of Boston, London, and Paris. Based on his research in museums, libraries, archives, galleries, and private collections across the world, James Parry traces these journeys of cultural and artistic discovery. From the early pioneer David Roberts through the heyday of leading stars such as Jean-Leon Gerome and Frederick Arthur Bridgman, to Orientalism's post-1900 decline, he describes how these traveling artists prepared for their expeditions, coped with working in unfamiliar and challenging surroundings, engaged with local people, and then took home to their studios the memories, sketches, and collections of artifacts necessary to create the works for which their audiences clamored. Excerpts from letters and diaries, including little-known accounts and previously unpublished material, as well as photographs, sketches, and other original illustrations, bring alive the impressions, experiences, and careers of the Orientalists and shed light on how they created what are now once again recognized as masterpieces of art ER -