TY  - BOOK
AU  - Rebellato,Dan
TI  - 1956 and all that: the making of modern British drama 
SN  - 0203009991
AV  - PR736 .R35 1999eb
U1  - 822/.91409353 21
PY  - 1999///
CY  - London, New York
PB  - Routledge
KW  - English drama
KW  - 20th century
KW  - History and criticism
KW  - Homosexuality and literature
KW  - Great Britain
KW  - History
KW  - Literature and society
KW  - Homosexualité et littérature
KW  - Grande-Bretagne
KW  - Histoire
KW  - 20e siècle
KW  - Littérature et société
KW  - Théâtre anglais
KW  - Histoire et critique
KW  - DRAMA
KW  - English, Irish, Scottish, Welsh
KW  - Engels
KW  - Toneelstukken
KW  - Electronic books
KW  - Criticism, interpretation, etc
N1  - Based on the author's thesis; P.B; Includes bibliographical references (pages 239-259) and index; 'Why should I care': the politics of vital theatre -- The new Elizabethans: the docile bodies of funding -- A writer's theater: the professionalisation of the playwright -- Oh for empty seats: the Royal court and its audiences -- Something English: the repatriation of European drama -- Something (un)spoken: quoting, queers, and the fear of theatre -- Sister Mary Discipline: growing up straight at the Royal Court
N2  - It is said that British Drama was shockingly lifted out of the doldrums by the 'revolutionary' appearance of John Osborne's Look Back in Anger at the Royal Court in May 1956. But had the theatre been as ephemeral and effeminate as the Angry Young Men claimed? Was the era of Terence Rattigan and 'Binkie' Beaumont as repressed and closeted as it seems? In this bold and fascinating challenge to the received wisdom of the last forty years of theatrical history, Dan Rebellato uncovers a different story altogether. It is one where Britain's declining Empire and increasing panic over the
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