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Jerzy Grotowski and Ludwik Flaszen : five encounters with the sage / Juliusz Tyszka.

By: Material type: TextTextSeries: Routledge advances in theatre and performancePublisher: Abingdon, Oxon ; New York, NY : Routledge, 2022Description: pages cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780367644406
  • 9780367644413
Subject(s): Additional physical formats: Online version:: Jerzy Grotowski and Ludwik FlaszenDDC classification:
  • 792/.023/3092 23
LOC classification:
  • PN2859.P66 G786 2022
Contents:
List of figures -- Acknowledgement -- Preface -- February 1993, Grotowski in New York City: expectations, hopes and stereotypes -- June 1995, Ludwik Flaszen again in Wrocław -- May 1996, Jerzy Grotowski in Copenhagen: three encounters with the sage -- March 1997, Jerzy Grotowski and Thomas Richards in Wrocław Polish theatre: seven hours of informing, clarifying, elucidating, specifying and explaining themselves. The sage and his successor confront the Polish audience: Richards for the first time, Grotowski for the last time -- June 1976: 'night vigil' -- February 1997: 'action'.
Summary: "The book contains three accounts of five public speeches and conversations with the public of two outstanding figures of theatre and performance, Jerzy Grotowski and Ludwik Flaszen, from 1993-1996. Their speeches concern their output and their current research. The content of Ludwik Flaszen's speech is very closely related to the output of Jerzy Grotowski. The accounts are written on the base of the authors detailed notes. The main subject of these narratives is their author, who quotes the speaking characters in the third person. In this way, all texts acquire a subjective character, akin to an essay, while remaining faithful to the overall message and content of the speeches and conversations cited in them. Juliusz Tyszka also uses this form of narration to describe the interpersonal context of Flaszen's and Grotowski's talks, including the content and tone of the questions asked, the reactions of listeners etc. There is also room for short, concise characteristics of these two outstanding people and their interlocutors (who are themselves sometimes also notorious). This book will be of great interest to scholars and students of theatre and performance studies and professionals in experimental theatre and performance"-- Provided by publisher.
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Item type Current library Call number Status Barcode
Books Books SPAA Library General Collection PN2859.P66 G786 2022 (Browse shelf(Opens below)) Available 0004549

Includes bibliographical references and index.

List of figures -- Acknowledgement -- Preface -- February 1993, Grotowski in New York City: expectations, hopes and stereotypes -- June 1995, Ludwik Flaszen again in Wrocław -- May 1996, Jerzy Grotowski in Copenhagen: three encounters with the sage -- March 1997, Jerzy Grotowski and Thomas Richards in Wrocław Polish theatre: seven hours of informing, clarifying, elucidating, specifying and explaining themselves. The sage and his successor confront the Polish audience: Richards for the first time, Grotowski for the last time -- June 1976: 'night vigil' -- February 1997: 'action'.

"The book contains three accounts of five public speeches and conversations with the public of two outstanding figures of theatre and performance, Jerzy Grotowski and Ludwik Flaszen, from 1993-1996. Their speeches concern their output and their current research. The content of Ludwik Flaszen's speech is very closely related to the output of Jerzy Grotowski. The accounts are written on the base of the authors detailed notes. The main subject of these narratives is their author, who quotes the speaking characters in the third person. In this way, all texts acquire a subjective character, akin to an essay, while remaining faithful to the overall message and content of the speeches and conversations cited in them. Juliusz Tyszka also uses this form of narration to describe the interpersonal context of Flaszen's and Grotowski's talks, including the content and tone of the questions asked, the reactions of listeners etc. There is also room for short, concise characteristics of these two outstanding people and their interlocutors (who are themselves sometimes also notorious). This book will be of great interest to scholars and students of theatre and performance studies and professionals in experimental theatre and performance"-- Provided by publisher.

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