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Shakespeare as jukebox musical / John R Severn.

By: Material type: TextTextPublication details: Abingdon, Oxon ; New York, NY : Routledge, 2019.Description: viii, 221 p. : ill. ; 25 cmISBN:
  • 9780367586645
Subject(s): LOC classification:
  • ML2054 .S37 2019
Contents:
Introduction : Shakespeare as jukebox musical -- Section 1, Historical forebears. Shakespeare as eighteenth-century ballad opera ; Shakespeare as nineteenth-century musical spectacular and burlesque -- Section 2, Reception and structure. Song placement and the carnivalesque : Barrie Kosky's King Lear and the Troubadour Theater Company ; Layered allusions, genre and medium : the Scottish Falsetto Sock Puppet Theatre's Romeo & Juliet -- Section 3, Modes of reception. The Shakespearean jukebox musical as interrogative text : Kenneth Branagh's Love's labour's lost -- Section 4, Engaging with Twelfth night's unstable identities. Play on! and its ghosts ; All shook up and the unannounced adaptation -- Conclusion.
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Holdings
Item type Current library Call number Status Barcode
Books Books SPAA Library General Collection ML2054 .S37 2019 (Browse shelf(Opens below)) Available 0004452
Books Books SPAA Library General Collection ML2054 .S37 2019 (Browse shelf(Opens below)) Available 0004451

K_B

Includes bibliographical references and index.

Introduction : Shakespeare as jukebox musical -- Section 1, Historical forebears. Shakespeare as eighteenth-century ballad opera ; Shakespeare as nineteenth-century musical spectacular and burlesque -- Section 2, Reception and structure. Song placement and the carnivalesque : Barrie Kosky's King Lear and the Troubadour Theater Company ; Layered allusions, genre and medium : the Scottish Falsetto Sock Puppet Theatre's Romeo & Juliet -- Section 3, Modes of reception. The Shakespearean jukebox musical as interrogative text : Kenneth Branagh's Love's labour's lost -- Section 4, Engaging with Twelfth night's unstable identities. Play on! and its ghosts ; All shook up and the unannounced adaptation -- Conclusion.

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