Storytelling in jazz and musicality in theatre : through the mirror / Sven Bjerstedt.
Material type:
- 9780367775780
- ML3845 .B58 2021
Item type | Current library | Call number | Status | Barcode | |
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SPAA Library General Collection | ML3845 .B58 2021 (Browse shelf(Opens below)) | Available | 0004341 | |
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SPAA Library General Collection | ML3845 .B58 2021 (Browse shelf(Opens below)) | Available | 0004342 |
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ML3838 .H464 2023 Caring for the whole musician : awareness and mindfulness / | ML3838 .P3639 2021 Two beats ahead : what great musical minds teach us about creativity and innovation / | ML3838 .P436 2022 Polyphonic minds: music of the hemispheres / | ML3845 .B58 2021 Storytelling in jazz and musicality in theatre : through the mirror / | ML3845 .B58 2021 Storytelling in jazz and musicality in theatre : through the mirror / | ML3849 .H49 2010 From song to print : Romantic pseudo-songs / | ML3877 .B37 2023 Experimenting the human : art, music, and the contemporary posthuman / |
K_B
Includes bibliographical references and index.
Part I. Intermedial Metaphor in the Arts. Metaphoricity in Arts Discourse -- Part II. Musical Storytelling. Storytelling in Jazz : A Conceptual Challenge ; A History of Jazz Writings ; Interviews with Jazz Improvisers ; Storytelling in Jazz Improvisation : Conclusions -- Part III. Theatrical Musicality. Musicality in Spoken Theatre : A Conceptual Challenge ; A History of Theatre Writings ; Interviews with Actors ; Musicality in Spoken Theatre : Conclusions -- Part IV. Through the Mirror. Intermedial Conceptual Loans.
"Art forms tend to mirror themselves in each other. In order to understand literature and fine arts better, we often turn to music, speaking of the 'tone' in a book and of the 'rhythm' in a painting. In attempts to understand music better, we turn instead to the narrative arts, speaking of the 'story' of a musical piece. This book focuses on two examples of such conceptual mirror reflexivity: narrativity in jazz music and musicality in spoken theatre. These intermedial metaphors are shown to be significant to the practice and reflection of performing artists through their ability to mediate holistic views of what is considered to be of crucial importance in artistic practice, analysis, and education. This exploration opens up possibilities for new theoretical and practical insights with regard to how the borderland between temporal art forms can be conceptualized. The book will be of interest not only to scholars of music and theatre, but also to those who work in the fields of aesthetics, intermedial studies, cognitive linguistics, arts theory, communication theory, and cultural studies"-- Provided by publisher.
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