The musical heritage of Al-Andalus / Dwight F. Reynolds.
Material type:
- 9780367653613
- Music -- Spain -- 500-1400 -- History and criticism
- Music -- Spain -- To 1500 -- History and criticism
- Music -- Spain -- 16th century -- History and criticism
- Music -- Spain -- 17th century -- History and criticism
- Muslims -- Spain -- Music -- History and criticism
- Arabs -- Spain -- Music -- History and criticism
- ML315.2 .R49 2020
Item type | Current library | Call number | Status | Barcode | |
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SPAA Library General Collection | ML315.2 .R49 2020 (Browse shelf(Opens below)) | Available | 0004303 | |
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SPAA Library General Collection | ML315.2 .R49 2020 (Browse shelf(Opens below)) | Available | 0004304 |
K_B
Includes bibliographical references and index.
Music in Iberia and the Mashriq up to 711. Music in Iberia to 711 ; Arab music to 711 -- Andalusi Music to the Fall of the Umayyad Caliphate, 711-1031. From the conquest to the reign of 'Abd al-Ra�hm�an II, 711-822 ; 'Abd al-Ra�hm�an II and Ziry�ab, 822-858 ; The final years of the Caliphate, 858-1031 -- Music in the Medieval Mediterranean. Instrumentarium ; Music Theory and Performance Practices ; The Musical Revolution in al-Andalus. From �Sawt to Muwashsha�h ; Hebrew Muwashsha�h�at -- Post-Umayyad Iberia (11th-17th c.). The Era of the 'Petty Kings,' Almoravids, and Almohads (11th-12th c.) ; The Age of Minstrels (13th -15th c.) ; Music of the Moriscos (16th-17th c.)
"The Musical Heritage of Al-Andalus is a critical account of the history of Andalusian music in Iberia from the Islamic conquest of 711 to the final expulsion of the Moriscos (Spanish Muslims converted to Christianity) in the early 17th century. This volume presents the documentation that has come down to us, accompanied by critical and detailed analyses of the sources written in Arabic, Old Catalan, Castilian, Hebrew, and Latin. It is also informed by research the author has conducted on modern Andalusian musical traditions in Morocco, Algeria, Tunisia, Egypt, Lebanon and Syria. While the cultural achievements of medieval Muslim Spain have been the topic of a large number of scholarly and popular publications in recent decades; what may arguably be its most enduring contribution - music - has been almost entirely neglected.The overarching purpose of this work is to elucidate as clearly as possible the many different types of musical interactions that took place in medieval Iberia and the complexity of the various borrowings, adaptations, hybridizations, and appropriations involved"-- Provided by publisher.
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