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Stanislavsky and yoga / Sergei Tcherkasski ; translated from Russian by Vreneli Farber.

By:

Cherkasski�i, Serge�i [author.]

Contributor(s):

Farber, Vreneli [translator.]

Material type: Text

TextLanguage: English Original language: Russian Publisher: Holstebro [Denmark] : Icarus Publishing Enterprise ; Abingdon, UK ; New York, NY : Routledge, [2016]Description: 124 pages ; 22 cmContent type:

text

Media type:

unmediated

Carrier type:

volume

ISBN:

9781138954090
1138954098

Uniform titles:

Stanislavskii i ioga. English

Subject(s):

Genre/Form:

Criticism, interpretation, etc.

DDC classification:

790.02/8092 23

LOC classification:

PN2728.S78 C4413 2016

Summary: This book deals with one of the most important sources of the Stanislavsky System - Yoga, its practice and philosophy. Sergei Tcherkasski carefully collects records on Yoga in Stanislavsky's writings from different periods and discusses hidden references which are not explained by Stanislavsky himself due to the censorship in his day. Vivid examples of Yoga based training from the rehearsal practice of the Moscow Art Theatre and many of Stanislavsky's studios (the First Studio in 1910s, the Second Studio and Opera Studio of the Bolshoi Theatre in 1920s, Opera-Dramatic Studio in 1930s) are provided. The focus of Tcherkasski's research consists of a comparative reading of the Stanislavsky System and Yogi Ramacharaka's books, which were a main source for Stanislavsky. Accordingly, Tcherkasski analyzes elements of the System based on Yoga principles.

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Holdings
Item type	Current library	Call number	Status	Date due	Barcode
Books	SPAA Library General Collection	PN2728.S78 C4413 2016 (Browse shelf(Opens below))	Checked out to Zenon Kruszelnicki (ZK0031)	11/25/2024	0009979

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Includes bibliographical references and index.

This book deals with one of the most important sources of the Stanislavsky System - Yoga, its practice and philosophy. Sergei Tcherkasski carefully collects records on Yoga in Stanislavsky's writings from different periods and discusses hidden references which are not explained by Stanislavsky himself due to the censorship in his day. Vivid examples of Yoga based training from the rehearsal practice of the Moscow Art Theatre and many of Stanislavsky's studios (the First Studio in 1910s, the Second Studio and Opera Studio of the Bolshoi Theatre in 1920s, Opera-Dramatic Studio in 1930s) are provided. The focus of Tcherkasski's research consists of a comparative reading of the Stanislavsky System and Yogi Ramacharaka's books, which were a main source for Stanislavsky. Accordingly, Tcherkasski analyzes elements of the System based on Yoga principles.

Translated from the Russian.

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