Practice as research : approaches to creative arts enquiry / edited by Estelle Barrett and Barbara Bolt.
Material type:
- text
- unmediated
- volume
- 9781501357954
- 1501357956
- 700.72 23
- PN1576 .P73 2019
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PN1576 K738 2022 V.2 LAMDA Monologues and Duologues for Young Actors Volume 2. | PN1576 .N45 2023 Practice as research in the arts (and beyond) : principles, processes, contexts, achievements / | PN1576 .N45 2023 Practice as research in the arts (and beyond) : principles, processes, contexts, achievements / | PN1576 .P73 2019 Practice as research : approaches to creative arts enquiry / | PN1580 The entrepreneurial artist : lessons from highly successful creatives / | PN1581 .M848 2015 المحترف. | PN1584 .B59 2021 The art of resonance / |
Originally published: London : I.B. Tauris, 2007.
Includes bibliographical references.
Chapter 1 Interest: The Ethics of Invention - Paul Carter -- Chapter 2 The Magic is in Handling - Barbara Bolt -- Chapter 3 History Documents, Arts Reveals: Creative Writing as Research - Gaylene Perry -- Chapter 4 Cutting Choreography: Back and Forth Between 12 Stages and 27 Seconds - Dianne Reid -- Chapter 5 "Silent" Speech - Annette Iggulden -- Chapter 6 'Chamber': Experiencing Masculine Identity Through Dance Improvisation - Shaun McLeod -- Chapter 7 Rhizome/MyZone: A Case Study in Studio-based Dance Research - Kim Vincs -- Chapter 8 A Correspondence Between Practices - Stephen Goddard -- Chapter 9 Creating New Stories For Praxis: Navigations, Narrations, Neonarratives - Robyn Stewart -- Chapter 10 Foucault's 'What is An Author': Towards a Critical Discourse of Practice as Research - Estelle Barrett -- Chapter 11 Rupture and Recognition: Identifying The Performative Research Paradigm -Brad Haseman -- Chapter 12 The Exegesis as Meme - Estelle Barrett.
Practice-led research is a burgeoning area across the creative arts, with studio informed doctorates frequently favoured over traditional approaches to research. Practice as Research: Approaches to Creative Arts Enquiry is specifically designed as a training tool and is structured on the model used by most research programmes. A comprehensive introduction lays out the book's framework and individual chapters provide concrete examples of studio-based research in art, film and video, creative writing and dance. Comprehensive in its approach, the volume draws on thinkers including Deleuze, Bourdieu and Heidegger in its examination of the relationship between practice and theory demonstrating how practice can operate as a valid alternative mode of enquiry to traditional scholarship -- Publisher's Website.
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