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Respect for acting / Uta Hagen ; with Haskel Frankel.

By: Contributor(s): Material type: TextTextPublisher: [San Francisco, CA] : Jossey-Bass, 2023Edition: Expanded edition; Second editionDescription: pages cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781119913573
Subject(s): Additional physical formats: Online version:: Respect for acting.DDC classification:
  • 792.02/8 22/eng/20230113
LOC classification:
  • PN2061 .H28 2023
Contents:
The actor. Concept -- Identity -- Substitution -- Emotional memory -- Sense memory -- The five senses -- Thinking -- Walking and talking -- Improvisation -- Reality -- The object exercises. The basic object exercise -- Three entrances -- Immediacy -- The fourth wall -- Endowment -- Talking to yourself -- Outdoors -- Conditioning forces -- History -- Character action -- The play and the role. First contact with the play -- The character -- Circumstances -- Relationship -- The objective -- The obstacle -- The action -- The rehearsal -- Practical problems -- Style.
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Holdings
Item type Current library Collection Call number Status Date due Barcode
Books Books SPAA Library General Collection On Shelves PN2061 .H28 2023 (Browse shelf(Opens below)) Checked out to Clara Elhawa (CH0091) 07/24/2025 0009895
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PN2061 .H27 1991 A challenge for the actor / PN2061 .H27 1991 A challenge for the actor / PN2061 .H27 1991 A challenge for the actor / PN2061 .H28 2023 Respect for acting / PN2061.H645 1992 The end of acting : a radical view / PN2061.H645 1992 The end of acting : a radical view / PN2061 .K57 2000 Stella Adler : the act of acting /

P.B

Includes index.

The actor. Concept -- Identity -- Substitution -- Emotional memory -- Sense memory -- The five senses -- Thinking -- Walking and talking -- Improvisation -- Reality -- The object exercises. The basic object exercise -- Three entrances -- Immediacy -- The fourth wall -- Endowment -- Talking to yourself -- Outdoors -- Conditioning forces -- History -- Character action -- The play and the role. First contact with the play -- The character -- Circumstances -- Relationship -- The objective -- The obstacle -- The action -- The rehearsal -- Practical problems -- Style.

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