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Theatre and war / Natalie Alvarez.

By: Material type: TextTextPublisher: London ; New York : Methuen Drama, 2023Description: pages cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781137584250
Subject(s): Additional physical formats: Online version:: Theatre and warDDC classification:
  • 809.2/93581 23
LOC classification:
  • PN2041.W37 A58 2023
Contents:
Theatres for war -- Theatres of war -- Rehearsals -- Body as battlefield -- Spectacle and spectatorship -- Hearts and minds -- Postmortem.
Summary: "Theatre and war have long been bedfellows. The principal purpose of this book is not to explore theatre that is about war, but instead it focuses on the relationship between theatre & war: how they feed into and inform each other, from rehearsal to post-production analysis. This bookbuilds on the premise that theatre and war have always overlapped, in that this will only continue into the future. Guided by four key questions, this clear and far-reaching volume asks: how have the tools of theatre been used in the waging of war?; how have the tools of waging war been used in the making of performance?; what are the 'shared interests' of theatre and war?; and how has performance become a militarized paradigm?"-- Provided by publisher.
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Holdings
Item type Current library Collection Call number Status Barcode
Books Books SPAA Library General Collection On Shelves PN2041.W37 A58 2023 (Browse shelf(Opens below)) Available 0008004

P.B

Includes bibliographic references and index.

Theatres for war -- Theatres of war -- Rehearsals -- Body as battlefield -- Spectacle and spectatorship -- Hearts and minds -- Postmortem.

"Theatre and war have long been bedfellows. The principal purpose of this book is not to explore theatre that is about war, but instead it focuses on the relationship between theatre & war: how they feed into and inform each other, from rehearsal to post-production analysis. This bookbuilds on the premise that theatre and war have always overlapped, in that this will only continue into the future. Guided by four key questions, this clear and far-reaching volume asks: how have the tools of theatre been used in the waging of war?; how have the tools of waging war been used in the making of performance?; what are the 'shared interests' of theatre and war?; and how has performance become a militarized paradigm?"-- Provided by publisher.

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