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1956 and all that : the making of modern British drama / Dan Rebellato.

By: Material type: TextTextPublication details: London ; New York : Routledge, 1999.Description: 1 online resource (ix, 265 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 0203009991
  • 0415189381
  • 041518939X
  • 1134657838
  • 6610193797
  • 9780203009994
  • 9780415189385
  • 9780415189392
  • 9781134657834
  • 9786610193790
Subject(s): Genre/Form: Additional physical formats: Print version:: 1956 and all that.DDC classification:
  • 822/.91409353 21
LOC classification:
  • PR736 .R35 1999eb
Other classification:
  • 18.05
Online resources:
Contents:
'Why should I care': the politics of vital theatre -- The new Elizabethans: the docile bodies of funding -- A writer's theater: the professionalisation of the playwright -- Oh for empty seats: the Royal court and its audiences -- Something English: the repatriation of European drama -- Something (un)spoken: quoting, queers, and the fear of theatre -- Sister Mary Discipline: growing up straight at the Royal Court.
Summary: It is said that British Drama was shockingly lifted out of the doldrums by the 'revolutionary' appearance of John Osborne's Look Back in Anger at the Royal Court in May 1956. But had the theatre been as ephemeral and effeminate as the Angry Young Men claimed? Was the era of Terence Rattigan and 'Binkie' Beaumont as repressed and closeted as it seems? In this bold and fascinating challenge to the received wisdom of the last forty years of theatrical history, Dan Rebellato uncovers a different story altogether. It is one where Britain's declining Empire and increasing panic over the.
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Based on the author's thesis.

P.B

Includes bibliographical references (pages 239-259) and index.

'Why should I care': the politics of vital theatre -- The new Elizabethans: the docile bodies of funding -- A writer's theater: the professionalisation of the playwright -- Oh for empty seats: the Royal court and its audiences -- Something English: the repatriation of European drama -- Something (un)spoken: quoting, queers, and the fear of theatre -- Sister Mary Discipline: growing up straight at the Royal Court.

It is said that British Drama was shockingly lifted out of the doldrums by the 'revolutionary' appearance of John Osborne's Look Back in Anger at the Royal Court in May 1956. But had the theatre been as ephemeral and effeminate as the Angry Young Men claimed? Was the era of Terence Rattigan and 'Binkie' Beaumont as repressed and closeted as it seems? In this bold and fascinating challenge to the received wisdom of the last forty years of theatrical history, Dan Rebellato uncovers a different story altogether. It is one where Britain's declining Empire and increasing panic over the.

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