Katie Mitchell : beautiful illogical acts / Benjamin Fowler.
Material type:
- still image
- text
- unmediated
- volume
- 113808235X
- 1138082368
- 9781138082359
- 9781138082366
- Mitchell, Katie -- Criticism and interpretation
- Mitchell, Katie -- Criticism and interpretation
- Mitchell, Katie
- Theatrical producers and directors -- Great Britain
- Producteurs et metteurs en scène de théâtre -- Grande-Bretagne
- Theatrical producers and directors -- Great Britain
- Theatrical producers and directors
- Great Britain
- 792.02/33092 23
- PN2598.M583 F69 2021
Item type | Current library | Collection | Call number | Status | Barcode | |
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SPAA Library General Collection | On Shelves | PN2598.M583 F69 2021 (Browse shelf(Opens below)) | Available | 0007250 |
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PN2598.L46 S77 2019 Dark star : a biography of Vivien Leigh / | PN2598.M575 F69 2019 The theatre of Katie Mitchell / | PN2598.M583 F69 2021 KATIE MITCHELL : realism, feminism and artifice. | PN2598.M583 F69 2021 Katie Mitchell : beautiful illogical acts / | PN2598 P466 2016 Are You There, Crocodile? : Inventing Anton Chekhov. | PN2598.S47A3 2014 Year of the king : an actor's diary and sketchbook / | PN2598.S47A3 2014 Year of the king : an actor's diary and sketchbook / |
P.B
Includes bibliographical references and index.
Katie Mitchell: Beautiful Illogical Acts offers the first comprehensive study of Britain's most internationally recognised, influential, and controversial theatre director. It examines Mitchell's innovations in fourth-wall realism, opera, and Live Cinema across major British and European institutions, bringing three decades of practice vividly to life. Informed by first-hand rehearsal observations and in-depth conversations with the director and her collaborators, Fowler investigates the intense and immersive qualities of Mitchell's distinctive theatrical realism and challenges mainstream narratives about realism as a defunct or inherently conservative genre. He explores Mitchell's theatre--and its often polarised reception--to question familiar assumptions governing contemporary performance criticism, including common binaries that pit realism against radical experimentation, auteurs against texts, feminists against Naturalism, and Britain against Europe. By examining a career trajectory that intersects with huge cultural change, Fowler places Mitchell at the centre of urgent contemporary debates about cultural transformation and its genuinely inclusive potential. This is an essential book for those interested in Katie Mitchell, British theatre, directing, the transformative power of realism and feminism in contemporary theatre practice, and challenges to hierarchical distributions of power inside the mainstream.
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