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An actor prepares. Reprint. Constantin Stanislavski.

By: Material type: TextTextSeries: Bloomsbury revelationsPublication details: London : Bloomsbury Academic 2013.Description: 288 pagesContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 1780938438
  • 9781780938431
DDC classification:
  • 790.2
LOC classification:
  • PN2062 S73 2013
Summary: This book is the most famous acting training book ever to have been written and the work of Stanislavski has inspired generations of actors and trainers. This translation was the first to introduce Stanislavski's 'system' to the English speaking world and has stood the test of time in acting classes to this day. Stanislavski here deals with the inward preparation an actor must undergo in order to explore a role to the full. He introduces the concepts of the 'magic if' units and objectives, of emotion memory, of the super-objective and many more now famous rehearsal aids. Now available in the 'Bloomsbury Revelations' series to mark the 150th anniversary of Stanislavski's birth, this is an essential read for actors, directors and anyone interested in the art of drama.
List(s) this item appears in: New Arrivals
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Holdings
Item type Current library Collection Call number Status Date due Barcode
Books Books SPAA Library PN2062 S73 2013 (Browse shelf(Opens below)) Available 0009868
Books Books SPAA Library General Collection On Shelves PN2062 S73 2013 (Browse shelf(Opens below)) Available 0007158
Books Books SPAA Library General Collection PN2062 S7613 2014 (Browse shelf(Opens below)) Checked out to Zorjowan Mohamad (S000222) 06/24/2024 0000052
Books Books SPAA Library General Collection On Shelves PN2062 S7613 2014 (Browse shelf(Opens below)) Available 0003652

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This book is the most famous acting training book ever to have been written and the work of Stanislavski has inspired generations of actors and trainers. This translation was the first to introduce Stanislavski's 'system' to the English speaking world and has stood the test of time in acting classes to this day. Stanislavski here deals with the inward preparation an actor must undergo in order to explore a role to the full. He introduces the concepts of the 'magic if' units and objectives, of emotion memory, of the super-objective and many more now famous rehearsal aids. Now available in the 'Bloomsbury Revelations' series to mark the 150th anniversary of Stanislavski's birth, this is an essential read for actors, directors and anyone interested in the art of drama.

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