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Theory for theatre studies: space space / Kim Solga.

By: Material type: TextTextSeries: Theory for theatre studiesPublisher: London ; New York : Methuen Drama, 2019Copyright date: ©2019Description: xi, 184 pages ; 21 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781350006065 (PB)
Other title:
  • Space
Subject(s): DDC classification:
  • 792.02/501 23
LOC classification:
  • PN2091.S8 S618 2019
Contents:
Introduction. Making room for space at the theatre -- Methodologies and approaches -- Extended case studies -- Towards a decolonized stage.
Summary: "Space: it's everywhere, all around, a given. It's abstract and yet not abstract at all, because it governs all human relations, shapes the way we understand our place on the planet, and orients us toward others (for better and for worse). How do theatre scholars understand space and place in performance? What tools do they use to theorize the political work space does on - and beyond - the stage? How can students use these tools to unpack the workings of space and place in the performances they see, the plays they study, and the experiences they have outside their classrooms? Theory for Theatre Studies: Space provides a comprehensive introduction to the 'spatial turn' in modern theatre and performance theory, exploring topics as diverse as embodied space, environmental performance politics and urban performance studies"--
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Holdings
Item type Current library Collection Call number Status Barcode
Books Books SPAA Library General Collection PN2091.S8 S618 2019 (Browse shelf(Opens below)) Available 0009901
Books Books SPAA Library General Collection On Shelves PN2091.S8 S618 2019 (Browse shelf(Opens below)) Available 0000209

P.B

Includes bibliographical references (pages [160]-173) and index.

Introduction. Making room for space at the theatre -- Methodologies and approaches -- Extended case studies -- Towards a decolonized stage.

"Space: it's everywhere, all around, a given. It's abstract and yet not abstract at all, because it governs all human relations, shapes the way we understand our place on the planet, and orients us toward others (for better and for worse). How do theatre scholars understand space and place in performance? What tools do they use to theorize the political work space does on - and beyond - the stage? How can students use these tools to unpack the workings of space and place in the performances they see, the plays they study, and the experiences they have outside their classrooms? Theory for Theatre Studies: Space provides a comprehensive introduction to the 'spatial turn' in modern theatre and performance theory, exploring topics as diverse as embodied space, environmental performance politics and urban performance studies"--

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