Digital scenography : 30 years of experimentation and innovation in performance and interactive media / Neill O'Dwyer.
Material type:
- text
- unmediated
- volume
- 9781350107311
- 9781350107328
- 9781350107335
- QA76.76.I59 O399 2021
Item type | Current library | Call number | Status | Barcode | |
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SPAA Library General Collection | QA76.76.I59 O399 2021 (Browse shelf(Opens below)) | Available | 0002881 |
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Q375 .T35 2008 The black swan : the impact of the highly improbable / | QA76.73.S67 P3775 2023 A comprehensive study of SQL : practice and implementation / | QA76.76.I59 I58 2021 Interactive storytelling for the screen / | QA76.76.I59 O399 2021 Digital scenography : 30 years of experimentation and innovation in performance and interactive media / | QA76.9.H85 K45 2006 Acting with technology : activity theory and interaction design / | QA76.9.V65 S47 2023 Auditory interfaces / | QA212 .P47 2003 Abel's proof : an essay on the sources and meaning of mathematical unsolvability / |
P.B
"This book uses digital media theory to explore contemporary understandings of expanded scenography as spatial practice. It surveys and analyses a selection of ground-breaking, experimental digital media performances that comprise a genealogy spanning the last 30 years, in order to show how the arrival of digital technologies have profoundly transformed performance practice. Performances are selected based on their ability to elicit the unique specificities of digital media in new and original ways, thereby exposing both the richness and shortcomings of digital culture. O'Dwyer argues that contemporary scenography is largely propelled by and dependent on digital technologies and represents a rich, fertile domain, where unbridled creativity can explore new techniques and challenge the limits of knowledge. The 30-year genealogy includes works by Troika Ranch, Stelarc, Klaus Obermaier, Chunky Moves, Onion Lab and Blast Theory. In addition to applying a broad scope of performance analysis and aesthetic theory, the work includes artists' interviews and opinions. The volume opens important aesthetic, philosophical and socio-political themes in order to highlight the impact of digital technologies on scenographic practice and the blossoming of experimental interdisciplinarity. Ultimately, the book is an exploration of how evolutionary leaps in technology contribute to how humans think, act, make work, engage one another, and therefore construct meaning and identity"-- Provided by publisher.
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