MARC details
000 -LEADER |
fixed length control field |
03744cam a22003978i 4500 |
001 - CONTROL NUMBER |
control field |
22312136 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20250109140756.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
211116s2022 enk b 001 0 eng |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2021056024 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780367691370 |
Qualifying information |
(hardback) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780367691349 |
Qualifying information |
(paperback) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
Canceled/invalid ISBN |
9781003140535 |
Qualifying information |
(ebook) |
040 ## - CATALOGING SOURCE |
Transcribing agency |
AE-ShPAA |
042 ## - AUTHENTICATION CODE |
Authentication code |
pcc |
050 00 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
ML1092 |
Item number |
.D47 2022 |
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
786.7/1923 |
Edition number |
23 |
245 00 - TITLE STATEMENT |
Title |
Designing interactions for music and sound / |
Statement of responsibility, etc. |
edited by Michael Filimowicz. |
263 ## - PROJECTED PUBLICATION DATE |
Projected publication date |
2204 |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
Abingdon, Oxon ; |
-- |
New York : |
Name of producer, publisher, distributor, manufacturer |
Routledge, |
Date of production, publication, distribution, manufacture, or copyright notice |
2022. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
pages cm |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Media type code |
n |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Carrier type code |
nc |
Source |
rdacarrier |
490 0# - SERIES STATEMENT |
Series statement |
Sound design series |
500 ## - GENERAL NOTE |
General note |
SIBF2023 |
501 ## - WITH NOTE |
With note |
P.B |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references and index. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Designing Interactive Musical Interfaces / by Dan Overholt -- Collective Controllerism : a Non-musician's Perspective of Interactive Dance as Controllerist Practice / by Manoli Moriaty -- Compute and Resonate : Creating Electronic Music of the Acid Genre for Presentation within a Club Environment Utilizing Accessible Artificial Intelligence and Computer-based Generative Tools / by Dylan Davis -- Sonic Poetics of the Tidal Flats / by Prophecy Sun, Freya Zinovieff, Kristin Carlson and Reese Muntean -- Designing Sound Installations in Public Spaces : A Collaborative Research Creation Approach / by Catherine Guastavino, Valřian Fraisse, Simone D'Ambrosio, Etienne Legast and Maryse Lavoie -- Embodied Listening within Geolocative Sonic Art / by Jimmy Eadie -- Sound Mixed Reality Prompts for People with Dementia : a Familiar andMeaningful Experience / by Shital Desai, Joel Ong, Deborah Fels and Arlene Astell -- Leveraging Motion and Conceptual Frameworks of Sound as a Novel Means of Sound Design in Extended Reality / by Tom A. Garner. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
"Designing Interactions for Music and Sound presents multidisciplinary research and case studies in electronic music production, dance-composer collaboration, AI tools for live performance, multimedia works, installations in public spaces, locative media, AR/VR//MR/XR and health. As the follow-on volume to Foundations in Sound Design for Interactive Media, the authors cover key practices, technologies and concepts such as: classifications, design guidelines and taxonomies of programs, interfaces, sensors, spatialization and other means for enhancing musical expressivity; controllerism-the techniques of non-musician performers of electronic music who utilize MIDI, OSC and wireless technologies to manipulate sound in real time; artificial intelligence tools used in live club music, soundscape poetics and research creation based on audio walks, environmental attunement and embodied listening; new sound design techniques for VR/AR/MR/XR that express virtual human motion; and the use of interactive sound in health contexts, such as designing sonic interfaces for users with dementia. Collectively the chapters illustrate the robustness and variety of contemporary interactive sound design research, creativity and its many applied contexts for students, teachers, researchers and practitioners"-- |
Assigning source |
Provided by publisher. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Electronic music |
General subdivision |
Production and direction. |
9 (RLIN) |
13810 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Electronic dance music |
General subdivision |
Production and direction. |
9 (RLIN) |
13811 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Electronic musical instruments. |
9 (RLIN) |
13812 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Human-computer interaction. |
9 (RLIN) |
13813 |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Filimowicz, Michael, |
Relator term |
editor. |
9 (RLIN) |
13814 |
776 08 - ADDITIONAL PHYSICAL FORM ENTRY |
Relationship information |
Online version: |
Title |
Designing interactions for music and sound |
Place, publisher, and date of publication |
Abingdon, Oxon ; New York : Routledge, 2022 |
International Standard Book Number |
9781003140535 |
Record control number |
(DLC) 2021056025 |
999 ## - SYSTEM CONTROL NUMBERS (KOHA) |
Koha biblionumber |
7405 |
Koha biblioitemnumber |
7405 |