MARC details
| 000 -LEADER |
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| fixed length control field |
04256cam a2200445 i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
22688007 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20250109140756.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
210430s2022 enka b 001 0 eng d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2020479839 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
1350232688 |
| Qualifying information |
(paperback) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781350232686 |
| Qualifying information |
(paperback) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
1350119636 |
| Qualifying information |
(hardback) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781350119635 |
| Qualifying information |
(hardback) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| Canceled/invalid ISBN |
9781350119642 |
| Qualifying information |
(ePDF) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| Canceled/invalid ISBN |
9781350119659 |
| Qualifying information |
(eBook) |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)on1240305223 |
| 040 ## - CATALOGING SOURCE |
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| Transcribing agency |
AE-ShPAA |
| 042 ## - AUTHENTICATION CODE |
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| Authentication code |
lccopycat |
| 043 ## - GEOGRAPHIC AREA CODE |
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| Geographic area code |
e-uk--- |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
ML1731.5 |
| Item number |
.M39 2022 |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
782.140941 |
| Edition number |
23 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Mayes, Sean |
| Titles and words associated with a name |
(Music director), |
| Relator term |
author. |
| 9 (RLIN) |
13759 |
| 245 13 - TITLE STATEMENT |
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| Title |
An inconvenient Black history of British musical theatre : |
| Remainder of title |
1900-1950 / |
| Statement of responsibility, etc. |
Sean Mayes and Sarah K. Whitfield. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
London ; |
| -- |
New York : |
| Name of producer, publisher, distributor, manufacturer |
Methuen Drama, |
| Date of production, publication, distribution, manufacture, or copyright notice |
2022. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Date of production, publication, distribution, manufacture, or copyright notice |
♭2022 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xviii, 275 pages : |
| Other physical details |
illustrations ; |
| Dimensions |
24 cm |
| 336 ## - CONTENT TYPE |
|---|
| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media type term |
unmediated |
| Media type code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
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| Carrier type term |
volume |
| Carrier type code |
nc |
| Source |
rdacarrier |
| 500 ## - GENERAL NOTE |
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| General note |
SIBF2023 |
| 501 ## - WITH NOTE |
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| With note |
P.B |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical references and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Part one. Black practitioners and international performance networks. The 1900s in context ; 1. Will Marion Cook and In Dahomey (1903) ; 2. Belle Davis, Laura Steer and Cassie Walmer ; The 1910s in context ; 3. Following a year of Black performance in the UK : 1916 ; 4. Will Garland : Black cultural production on a national stage -- Part two. Black networks of production. The 1920s in context ; 5. The secret Florence Mills Memorial Concert : January 1928 ; 6. Alberta Hunter and Mabel Mercer ; The 1930s in context ; 7. Clarence 'Buddy' Bradley and Clarence Robinson -- Part three. Anti-racism and anti-imperialism in London. 8. Sam Manning, Amy Ashwood Garvey and 1930s anti-colonialism ; 9. Swing from Calloway to 'Snakehips' Johnson ; The 1940s in context ; 10 Calypso and Black resistance -- Epilogue. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
"A radically urgent intervention, An Inconvenient Black History of British Musical Theatre: 1900 - 1950 uncovers the hidden Black history of this most influential of artforms. Drawing on lost archive material and digitised newspapers from the turn of the century onwards, this exciting story has been re-traced and restored to its rightful place. A vital and significant part of British cultural history between 1900 and 1950, Black performance practice was fundamental to resisting and challenging racism in the UK. Join Mayes (a Broadway- and Toronto-based Music Director) and Whitfield (a musical theatre historian and researcher) as they take readers on a journey through a historically-inconvenient and brilliant reality that has long been overlooked. Get to know the Black theatre community in London's Roaring 20s, and hear about the secret Florence Mills memorial concert they held in 1928. Acquaint yourself with Buddy Bradley, Black tap and ballet choreographer, who reshaped dance in British musicals - often to be found at Nol︠ Coward's apartment for late-night rehearsals, such was Bradley's importance. Meet Jack Johnson, the first African American Heavyweight Boxing Champion, who toured Britain's theatres during World War 1 and brought the sounds of Chicago to places like war-weary Dundee. Discover the most prolific Black theatre practitioner you've never heard of, William Garland, who worked for 40 years across multiple continents and championed Black British performers. Marvel at performers like cabaret star Mabel Mercer, born in Stafford in 1900, who sang and conducted theatre orchestras across the UK, as well as Black Birmingham comedian Eddie Emerson, who was Garland's partner for decades. Many of their names and works have never been included in histories of the British musical - until now."-- |
| Assigning source |
Provided by publisher. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Black theater |
| Geographic subdivision |
Great Britain |
| General subdivision |
History |
| Chronological subdivision |
20th century. |
| 9 (RLIN) |
13760 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Black people in the theater |
| Geographic subdivision |
Great Britain |
| General subdivision |
History |
| Chronological subdivision |
20th century. |
| 9 (RLIN) |
13761 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Musical theater |
| Geographic subdivision |
Great Britain |
| General subdivision |
History |
| Chronological subdivision |
20th century. |
| 9 (RLIN) |
13762 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Race in musical theater |
| Geographic subdivision |
Great Britain |
| General subdivision |
History |
| Chronological subdivision |
20th century. |
| 9 (RLIN) |
13763 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Whitfield, Sarah |
| Fuller form of name |
(Sarah Kate), |
| Dates associated with a name |
1982- |
| Relator term |
author. |
| 9 (RLIN) |
12504 |
| 999 ## - SYSTEM CONTROL NUMBERS (KOHA) |
|---|
| Koha biblionumber |
7402 |
| Koha biblioitemnumber |
7402 |
