Back to the body : (Record no. 6956)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02213cam a2200205 a 4500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250109140642.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 030916s2023 xxu b 001 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9798218058951 |
| 050 14 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | PN2071.M6 |
| Item number | R63 2023 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Rodrigue, Jean-Louis, |
| Dates associated with a name | 1951. |
| 9 (RLIN) | 21167 |
| 245 10 - TITLE STATEMENT | |
| Title | Back to the body : |
| Remainder of title | infusing physical life into characters in theatre and film / |
| Statement of responsibility, etc. | Jean-Louis Rodrigue, Scott Weintraub ; [foreword by Larry Moss]. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Place of publication, distribution, etc. | [Los Angeles, Calif.] : |
| Name of publisher, distributor, etc. | Alexander Techworks, |
| Date of publication, distribution, etc. | [2023] |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 254 p. ; |
| Dimensions | 23 cm. |
| 501 ## - WITH NOTE | |
| With note | K_B |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | "Back to the Body: Infusing Physical Life into Characters in Theatre and Film guides you to experience and use your body and its energy as a basic point of departure for performance and expression. You will learn to apply your entire self in acting with your voice, body, mind, and emotion. This integrated training is designed to combine all these elements of yourself with your material, the environment, and other actors through explorations and hands-on work, which you may do on your own and with others. You will discover how to best fill the space, serve the story, and create a unique, honest, and riveting character. When you implement the practices in Back to the Body, your work will gain an enhanced level of performance and depth. This book explores how actors can use their bodies, in concert with their voices and their emotions, in a range of roles and characters in both theatre and film. This way of working is not an abstraction, because our bodies always exist in relation to our emotions and environment. Every story is told primarily through the use and expression of the actor's body. Close attention to physicality is essential to extraordinary performance, telling the story, and dealing with a character's conflicts in the most human way. The more the actor's body relates to the story, the more the audience is able to connect to the play or the film, because overcoming conflicts is a universal and inevitable human necessity" |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE | |
| Bibliography, etc. note | Includes bibliographical references (p. [207]-214) and index. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Movement (Acting) |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Weintraub, Scott, |
| Dates associated with a name | 1979- |
| 9 (RLIN) | 21168 |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Moss, Larry, |
| Dates associated with a name | 1943- |
| 9 (RLIN) | 20891 |
| 999 ## - SYSTEM CONTROL NUMBERS (KOHA) | |
| Koha biblionumber | 6956 |
| Koha biblioitemnumber | 6956 |
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