Musical agency and the social listener / (Record no. 6890)

MARC details
000 -LEADER
fixed length control field 01924cam a22002177a 4500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250109140636.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 210824s2022 enka ob 001 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780367770853
050 14 - LIBRARY OF CONGRESS CALL NUMBER
Classification number ML3800
Item number .P354 2022
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Palfy, Cora S.
9 (RLIN) 21583
245 10 - TITLE STATEMENT
Title Musical agency and the social listener /
Statement of responsibility, etc. Cora S. Palfy.
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Abingdon, Oxon ;
-- New York, NY :
Name of publisher, distributor, etc. Routledge,
Date of publication, distribution, etc. 2022.
300 ## - PHYSICAL DESCRIPTION
Extent xii, 187 p. ;
Dimensions 24 cm.
501 ## - WITH NOTE
With note K_B
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references and index.
520 ## - SUMMARY, ETC.
Summary, etc. Music as a narrative drama is an intriguing idea, which has captured explicit music theoretical attention since the nineteenth century. Investigations into narrative characters or personae has evolved into a sub-field--musical agency. In this book, Palfy contends that music has the potential to engage us in social processes and that those processes can be experienced as a social interaction with a musical agent. She explores the overlap between the psychological processes in which we participate in order to understand and engage with people, and those we engage in when we listen to music. Thinking of musical agency as a form of social process is quite different from existing theoretical frameworks for agency. It implies that we come to musical analysis by way of intuition--that our ideas are already partially formed based on our experience of the piece (and what it makes us feel or how it makes us sense it as any other) when we choose to analyze and interpret it. Palfy's focus on social processes is a very effective way to pinpoint when and why it is that our attention is captured and engaged by musical agents.
545 0# - BIOGRAPHICAL OR HISTORICAL DATA
Biographical or historical data Cora S. Palfy is assistant professor of Music, Elon University, USA
588 0# - SOURCE OF DESCRIPTION NOTE
Source of description note Online resource; title from digital title page (viewed on November 16, 2021).
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Music
General subdivision Philosophy and aesthetics.
9 (RLIN) 2099
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Music
General subdivision Social aspects.
9 (RLIN) 3898
999 ## - SYSTEM CONTROL NUMBERS (KOHA)
Koha biblionumber 6890
Koha biblioitemnumber 6890
Holdings
Date last seen Total Checkouts Full call number Barcode Price effective from Koha item type Lost status Source of classification or shelving scheme Damaged status Not for loan Withdrawn status Home library Current library Shelving location Date acquired
02/12/2025   ML3800 .P354 2022 0004598 02/12/2025 Books   Library of Congress Classification   Available for loans   SPAA Library SPAA Library General Collection 02/12/2025
02/12/2025   ML3800 .P354 2022 0004597 02/12/2025 Books   Library of Congress Classification   Available for loans   SPAA Library SPAA Library General Collection 02/12/2025