The globalization of theatre 1870-1930 : (Record no. 515)
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000 -LEADER | |
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fixed length control field | 03307namna22003498i 4500 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20240528083157.0 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9781108487894 |
Qualifying information | (hardback) |
040 ## - CATALOGING SOURCE | |
Transcribing agency | AE-ShPAA |
050 ## - LIBRARY OF CONGRESS CALL NUMBER | |
Classification number | PN2287 |
Item number | B35 2020 |
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
Classification number | 792.02/3092 |
-- | B |
Edition number | 23 |
100 1# - MAIN ENTRY--PERSONAL NAME | |
Personal name | Balme, Christopher B., |
Relator term | author. |
9 (RLIN) | 17762 |
245 14 - TITLE STATEMENT | |
Title | The globalization of theatre 1870-1930 : |
Remainder of title | the theatrical networks of Maurice E. Bandmann / |
Statement of responsibility, etc. | Christopher B. Balme. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
Place of production, publication, distribution, manufacture | Cambridge ; |
-- | New York, NY : |
Name of producer, publisher, distributor, manufacturer | Cambridge University Press, |
Date of production, publication, distribution, manufacture, or copyright notice | 2020. |
300 ## - PHYSICAL DESCRIPTION | |
Extent | pages cm. |
336 ## - CONTENT TYPE | |
Content type term | text |
Content type code | txt |
Source | rdacontent |
337 ## - MEDIA TYPE | |
Media type term | unmediated |
Media type code | n |
Source | rdamedia |
338 ## - CARRIER TYPE | |
Carrier type term | volume |
Carrier type code | nc |
Source | rdacarrier |
490 0# - SERIES STATEMENT | |
Series statement | Cambridge studies in modern theatre |
501 ## - WITH NOTE | |
With note | P.B |
504 ## - BIBLIOGRAPHY, ETC. NOTE | |
Bibliography, etc. note | Includes bibliographical references and index. |
505 0# - FORMATTED CONTENTS NOTE | |
Formatted contents note | Family networks -- Mobile enterprises -- The micropolitics of locality -- Repertoires and publics -- Transported actors -- Contested contracts -- Infrastructure : from theatre to cinema -- Legacies. |
520 ## - SUMMARY, ETC. | |
Summary, etc. | "When the Anglo-American theatre manager and actor, Maurice E. Bandmann, died of enteric fever at the Colonial Hospital in Gibraltar on 9 March 1922 shortly before his fiftieth birthday, the event was reported across the English-speaking world from Madras to Singapore, and from Cairo to Hong Kong, with many newspapers carrying lengthy obituaries: The Times of India called him 'the pioneer of musical comedy in this part of the world' having 'brought to the East some forty or fifty companies. The Straits Times in Singapore claimed that 'he inaugurated the system that will remain as a monument to his memory in theatrical circles. The Era, London's theatrical trade paper, emphasized 'the fine plays and well-equipped companies he presented (which) became famous in all parts of the world, many stars appearing under his management, and the Bandman Opera Company, with all the latest musical comedy successes, was exceedingly popular everywhere in the East. As these statements indicate, Maurice Bandmann was at the time considered a key figure in what will be called in this book, the globalization of theatre. For over two decades, Bandmann was a household name in the theatre world of the time, a guarantor of quality itinerant theatrical entertainment, especially of musical comedy performed by the legendary Bandmann Opera Company. The Bandmann Circuit, as it was known, extended from Gibraltar to Tokyo and included more than two dozen towns and cities, across the Asian continent as well as occasional forays across to the West Indies and even South America. In terms of sheer reach and territory covered, Bandmann was a global theatrical entrepreneur, who, while certainly concentrating on English-speaking settlements also performed regularly in Japan to Japanese audiences, before Chinese in Shanghai and Peking and numerous cities where audiences were linguistically mixed"-- |
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME | |
Personal name | Bandmann, Maurice E. |
Fuller form of name | (Maurice Edward), |
Dates associated with a name | 1872-1922. |
9 (RLIN) | 17763 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | Actor-network theory. |
9 (RLIN) | 17764 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | Actors |
General subdivision | Social networks. |
9 (RLIN) | 17765 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | Actors |
Geographic subdivision | United States |
Form subdivision | Biography. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | Theater and globalization. |
9 (RLIN) | 1498 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | Theatrical managers |
Geographic subdivision | United States |
Form subdivision | Biography. |
9 (RLIN) | 17766 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | Traveling theater |
General subdivision | History. |
9 (RLIN) | 17767 |
910 ## - USER-OPTION DATA (OCLC) | |
User-option data | 824 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
Koha item type | Books |
999 ## - SYSTEM CONTROL NUMBERS (KOHA) | |
Koha biblionumber | 515 |
Koha biblioitemnumber | 515 |
Date last seen | Total Checkouts | Full call number | Barcode | Price effective from | Koha item type | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Collection code | Withdrawn status | Home library | Current library | Shelving location | Date acquired |
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03/10/2025 | PN2287 B35 2020 | 0001081 | 02/02/2022 | Books | Library of Congress Classification | Available for loans | On Shelves | SPAA Library | SPAA Library | General Collection | 02/02/2022 |