Acting for love & money : (Record no. 4387)
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000 -LEADER | |
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fixed length control field | 04872cam a2200433 a 4500 |
001 - CONTROL NUMBER | |
control field | SPAA_EXC189 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 091217s2010 couc b 000 0 eng |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER | |
LC control number | 2009050728 |
019 ## - | |
-- | 1003797986 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 156608167X |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9781566081672 |
040 ## - CATALOGING SOURCE | |
Original cataloging agency | DLC |
Language of cataloging | eng |
Transcribing agency | DLC |
Modifying agency | BTCTA |
-- | C#P |
-- | YDXCP |
-- | BWX |
-- | HEBIS |
-- | LML |
-- | EDK |
-- | IG# |
-- | BDX |
-- | OCLCF |
-- | OCLCQ |
-- | OCLCA |
-- | CHILD |
-- | QQ3 |
-- | OCLCO |
-- | GILDS |
-- | BNC |
-- | OCLCO |
-- | TKN |
-- | OCLCO |
-- | JTB |
-- | OCLCO |
040 ## - CATALOGING SOURCE | |
Transcribing agency | AE-ShPAA |
050 00 - LIBRARY OF CONGRESS CALL NUMBER | |
Classification number | PN2055 |
Item number | .G54 2010 |
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
Classification number | 792.02/8023 |
Edition number | 22 |
092 00 - LOCALLY ASSIGNED DEWEY CALL NUMBER (OCLC) | |
Classification number | 792.028023 |
Item number | GL.A 2010 |
100 1# - MAIN ENTRY--PERSONAL NAME | |
Personal name | Gleason, Paul G. |
9 (RLIN) | 5589 |
245 10 - TITLE STATEMENT | |
Title | Acting for love & money : |
Remainder of title | connecting the craft to the industry / |
Statement of responsibility, etc. | Paul G. Gleason & Gavin Levy. |
246 30 - VARYING FORM OF TITLE | |
Title proper/short title | Acting for love and money |
250 ## - EDITION STATEMENT | |
Edition statement | 1st ed. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Place of publication, distribution, etc. | Colorado Springs, Colo. : |
Name of publisher, distributor, etc. | Meriwether Pub. Ltd., |
Date of publication, distribution, etc. | ©2010. |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 226 pages : |
Other physical details | portraits ; |
Dimensions | 23 cm |
336 ## - CONTENT TYPE | |
Content type term | text |
Content type code | txt |
Source | rdacontent |
337 ## - MEDIA TYPE | |
Media type term | unmediated |
Media type code | n |
Source | rdamedia |
338 ## - CARRIER TYPE | |
Carrier type term | volume |
Carrier type code | nc |
Source | rdacarrier |
501 ## - WITH NOTE | |
With note | P.B |
501 ## - WITH NOTE | |
With note | P.B |
504 ## - BIBLIOGRAPHY, ETC. NOTE | |
Bibliography, etc. note | Includes bibliographical references. |
505 0# - FORMATTED CONTENTS NOTE | |
Formatted contents note | Introduction -- Chapter 1: Acting Is Not A Business, But It Can Be Business-Like -- 1: Way of being -- 2: Acting all the way -- 3: Home -- 4: Ask a question -- 5: In search of excellence -- Chapter 2: Audience -- 6: Gathering 2 -- 7: I am exercise -- 8: Template -- 9: New beginning -- 10: Day's journey -- Chapter 3: Technology And Information For The Actor -- 11: Technology and the actor -- 12: Sound off -- 13: Acting is everywhere -- Chapter 4: Fix Yourself, Then Use Yourself -- 14: Energy in, energy out -- 15: Scanning the body -- 16: Six awareness -- 17: Child's play -- 18: Sing us a song -- 19: Body bio -- Chapter 5: Sound And Vocal Levels -- 20: Directing the voice -- 21: Whisper exercise -- 22: Falling inflection -- 23: In a word -- 24: Walk and talk -- 25: Boomlay boomlay boomlay boom -- Chapter 6: Storyteller -- 26: Over the top -- 27: Impulse -- 28: Punctuation out -- 29: Alternating between thoughts, or the intent exercise -- 30: Teach yourself -- 31: Release of reaction -- Chapter 7: Magnetic Personality -- 32: Gathering -- 33: Plumb line -- 34: Unmask yourself -- 35: Throw it away -- 36: Using senses to make sense -- Chapter 8: Auditioning -- 37: To be an actor, or not to be -- 38: Falling in line -- 39: Animation exercise -- 40: Conservation with the actor (part 1) -- 41: Dancing like a star -- 42: Conservation with the actor (part 2) -- Chapter 9: Imagination -- 43: Descriptive imagination -- 44: Character discoveries -- 45: Up and down -- 46: Cross the line -- Chapter 10: Physical Actor -- 47: Breathe in and out -- 48: Pre-pre-exercise -- 49: Air bubble -- 50: Elbow to the knee -- 51: Alexander exercise -- Chapter 11: State Of Being -- 52: Being present -- 53: Who you are and who you are not -- 54: Inhibit -- 55: Opposites -- 56: Big muscle, little muscle -- Chapter 12: Eureka! -- 57: Inside out -- 58: Room scan -- 59: Eureka! moment -- 60: Memory exercise -- Chapter 13: Creating A World -- 61: Begin again -- 62: Begin again part 2 -- 63: Sounds -- 64: Maybe exercise -- 65: Inner dialogue -- Chapter 14: Mirror Neurons -- Back to back -- 67: Connections -- 68: Mirror endowment -- 69: Mirroring -- Chapter 15: Intimacy And Confrontation -- 70: Limitless possibilities -- 71: Conversation with the actor (part 3) -- 72: Conservation with the actor (part 4) -- 73: Spontaneous moves -- 74: Clean slate -- 75: Intimacy and confrontation in acting -- In closing -- About the authors. |
520 ## - SUMMARY, ETC. | |
Summary, etc. | Product Description: This collection of seventy-five acting exercises is designed to prepare actors and acting students for a professional career. The exercises were created during workshop sessions conducted by the authors with participants of the Paul G. Gleason Theatre in Hollywood. Over three hundred hours of recorded sessions were edited to pick the best exercises for developing acting skills. The book is divided into fifteen sections: Acting Is Not a Business, but It Can Be Business-Like; The Audience; Technology and Information for the Actor Fix Yourself, Then Use Yourself; Sound and Vocal Levels; The Storyteller; A Magnetic Personality; Auditioning; Imagination; The Physical Actor; A State of Being; Eureka; Creating a World; Mirror Neurons; and Intimacy and Confrontation. Also includes insights from many professionals in the acting industry. This book is for dedicated actors looking to be in major productions, on major television shows, or in major movies. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | Acting |
General subdivision | Vocational guidance. |
9 (RLIN) | 5590 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | Acting. |
9 (RLIN) | 5591 |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | Acting |
General subdivision | Vocational guidance. |
Source of heading or term | fast |
Authority record control number or standard number | (OCoLC)fst00796170 |
9 (RLIN) | 5592 |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | Acting. |
Source of heading or term | fast |
Authority record control number or standard number | (OCoLC)fst00796146 |
9 (RLIN) | 5593 |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | Schauspielkunst |
Source of heading or term | gnd |
9 (RLIN) | 5594 |
655 #4 - INDEX TERM--GENRE/FORM | |
Genre/form data or focus term | Nonfiction. |
9 (RLIN) | 5595 |
700 1# - ADDED ENTRY--PERSONAL NAME | |
Personal name | Levy, Gavin. |
9 (RLIN) | 5596 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
Koha item type | Books |
999 ## - SYSTEM CONTROL NUMBERS (KOHA) | |
Koha biblionumber | 4387 |
Koha biblioitemnumber | 4387 |
Date last seen | Total Checkouts | Full call number | Barcode | Price effective from | Koha item type | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Withdrawn status | Home library | Current library | Shelving location | Date acquired |
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03/01/2022 | 792.028023 GL.A 2010 | 0003668 | 03/01/2022 | Books | Library of Congress Classification | Not For Loan | Executive Office - 2nd Floor | Executive Office - 2nd Floor | General Collection | 03/01/2022 |