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04217nam a22005297i 4500 |
| 001 - CONTROL NUMBER |
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16394429 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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20240528083533.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS |
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| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
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220718t20232023enk eo 000 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
1000607755 |
| Qualifying information |
electronic book |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
1000607763 |
| Qualifying information |
electronic book |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
1003056202 |
| Qualifying information |
electronic book |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781000607758 |
| Qualifying information |
electronic book |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781000607765 |
| Qualifying information |
electronic book |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781003056201 |
| Qualifying information |
electronic book |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| Canceled/invalid ISBN |
9780367520557 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| Canceled/invalid ISBN |
9780367520601 |
| 024 ## - OTHER STANDARD IDENTIFIER |
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| Standard number or code |
17830349 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(NhCcYBP)ybp17830349 |
| 037 ## - SOURCE OF ACQUISITION |
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| Stock number |
9781003056201 |
| Source of stock number/acquisition |
Taylor & Francis |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
NhCcYBP |
| Transcribing agency |
NhCcYBP |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
ML3800 |
| Item number |
.K56 2023 |
| 090 ## - LOCALLY ASSIGNED LC-TYPE CALL NUMBER (OCLC); LOCAL CALL NUMBER (RLIN) |
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| Classification number (OCLC) (R) ; Classification number, CALL (RLIN) (NR) |
ML3800 |
| Local cutter number (OCLC) ; Book number/undivided call number, CALL (RLIN) |
.K56 2023 (LC) |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Kim, Youn. |
| 9 (RLIN) |
4455 |
| 245 10 - TITLE STATEMENT |
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| Title |
Body and Force in Music : |
| Remainder of title |
Metaphoric Constructions in Music Psychology. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
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| Place of production, publication, distribution, manufacture |
Abingdon, Oxon ; |
| -- |
New York, NY : |
| Name of producer, publisher, distributor, manufacturer |
Routledge, |
| Date of production, publication, distribution, manufacture, or copyright notice |
2023. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Date of production, publication, distribution, manufacture, or copyright notice |
♭2023 |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
1 online resource. |
| 336 ## - CONTENT TYPE |
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| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media type term |
computer |
| Media type code |
c |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
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| Carrier type term |
online resource |
| Carrier type code |
cr |
| Source |
rdacarrier |
| 490 0# - SERIES STATEMENT |
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| Series statement |
SEMPRE Studies in The Psychology of Music |
| 501 ## - WITH NOTE |
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| With note |
P.B |
| 501 ## - WITH NOTE |
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| With note |
P.B |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Introduction The human body and musical instruments Conceptual dimension of metaphoric construction Force and agency "Body and force" and "body versus force" The discursive space and disciplinary identity of music psychology Metaphors as shorthand for music psychologyRoadmapHistoricizing music psychology Chapter 1. The Musicking Body-machine Music, machine, and the body The emergence of the "human motor" model Rhythm: "an inevitable corollary from the persistence of forces" Psychological studies in the era of rhythm Musical rhythm and laborRhythm in the "body culture" The "irrational," continuous rhythm Rhythm and the piano-playing body Concluding remarksChapter 2. "A Force of Nature": Tracing Voice Animal, machine, and voice Speech theory of music Voice, the body machine, and the issue of agency Voice as both object and subject Voice of the "primitive" soul Recorded Voice "Dragging movement" "How the voice looks" Concluding remarksChapter 3. Motion, Force, and "Rhythm Form"The "'co-working of motion' with one's own will" Piano theories Motion in piano playing Force and the will The will, physiology, and piano-playing Force and posture Action-perception coupling at the turn of the twentieth century "Rhythmic massing" Concluding remarks Chapter 4. Minding Gaps and Musical Energy The ball analogy The human motor capable of locomotion Capturing the musicking body Music as streams of energy Gliding between tones The agency of motion Revisiting the ball analogy Music as motion across disciplines and times Concluding remarks Chapter 5. Force at a Distance Force acting at a distance In the words of amateur pianists and psychologists Force affecting the audience The metaphor of vibratory waves in psychology Force at a distance and The power of sound"Brain waves" in communication Inhibition and waves in music psychology The vibratory energy of music "Sympathetic oscillation" Concluding remarks Epilogue Bibliography Index |
| 506 ## - RESTRICTIONS ON ACCESS NOTE |
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| Terms governing access |
Access restricted by licensing agreement. |
| 533 ## - REPRODUCTION NOTE |
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| Type of reproduction |
Electronic reproduction. |
| Place of reproduction |
London |
| Note about reproduction |
Available via World Wide Web. |
| 545 0# - BIOGRAPHICAL OR HISTORICAL DATA |
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| Biographical or historical data |
Youn Kim obtained her PhD in music theory from Columbia University and is currently Associate Professor of Music at The University of Hong Kong. Kim's previous publications include a monograph History of Western Music Theory (2006) and articles in Journal of Musicology, Psychology of Music, and Journal of Musicological Research, among others. She also co-edited The Oxford Handbook of Music and the Body (2019) and co-authored several articles published in Scientific Reports and PLOS One. |
| 590 ## - LOCAL NOTE (RLIN) |
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| Local note |
Access is available to the Yale community. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Human body. |
| 9 (RLIN) |
842 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Music |
| General subdivision |
Performance |
| -- |
Philosophy. |
| 9 (RLIN) |
4456 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Music |
| General subdivision |
Philosophy and aesthetics. |
| 9 (RLIN) |
2099 |
| 710 2# - ADDED ENTRY--CORPORATE NAME |
|---|
| Corporate name or jurisdiction name as entry element |
Taylor & Francis |
| 9 (RLIN) |
4217 |
| 856 40 - ELECTRONIC LOCATION AND ACCESS |
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| Link text |
Online book |
| Uniform Resource Identifier |
<a href="https://yale.idm.oclc.org/login?URL=https://www.taylorfrancis.com/books/9781003056201">https://yale.idm.oclc.org/login?URL=https://www.taylorfrancis.com/books/9781003056201</a> |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Koha item type |
Books |
| 999 ## - SYSTEM CONTROL NUMBERS (KOHA) |
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| Koha biblionumber |
4182 |
| Koha biblioitemnumber |
4182 |
