Voice as art : (Record no. 4099)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02619cam a22003738i 4500 |
| 001 - CONTROL NUMBER | |
| control field | 22416714 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | AE-ShPAA |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20230215155805.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 220209s2022 nyu b 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER | |
| LC control number | 2021054817 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9780367367510 |
| Qualifying information | (Hardback) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781032225630 |
| Qualifying information | (Paperback) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9780429351266 |
| Qualifying information | (eBook) |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | DLC |
| Language of cataloging | eng |
| Transcribing agency | DLC |
| Description conventions | rda |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | pcc |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | N8257.5 |
| Item number | .C68 2022 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 302.23 |
| Edition number | 23 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Couzins, Richard, |
| Relator term | author. |
| 9 (RLIN) | 4124 |
| 245 10 - TITLE STATEMENT | |
| Title | Voice as art : |
| Remainder of title | from theatre to forensics / |
| Statement of responsibility, etc. | Richard Couzins. |
| 250 ## - EDITION STATEMENT | |
| Edition statement | First Edition. |
| 263 ## - PROJECTED PUBLICATION DATE | |
| Projected publication date | 2204 |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | New York : |
| Name of producer, publisher, distributor, manufacturer | Routledge, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2022. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 170pages; |
| Dimensions | 21 cm. |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | unmediated |
| Media type code | n |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | volume |
| Carrier type code | nc |
| Source | rdacarrier |
| 490 0# - SERIES STATEMENT | |
| Series statement | Routledge voice studies |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE | |
| Bibliography, etc. note | Includes bibliographical references and index. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | "Voice as Art considers how artists have used human voices, since they became reproducible and entered art discourse in the twentieth century. The discussion embeds artworks using voices within historical and theoretical contexts in a comparative overview arguing that reproduction caused increased creativity moving from acting to creating phonic materials framed by phenomenological deep listening by early video and performance to the plurality and sampling of postmodernism and the multiple angles of contemporary forensic listening. This change is an example of how artistic practice reveals the ideologies of listening. Using a range of examples from Hugo Ball, Martha Rosler, Vito Acconci, Bruce Nauman, Janet Cardiff, and Mike Kelley through to contemporary practice by Shilpa Gupta, The Otolith Group Elizabeth Price the voice is tracked through modernism and postmodernism to posthumanism in relation to speaking subjects, sculptural objects, documents, dramaturgical utterance, forensic evidence, verbatim techniques, and embodied listening. This book gives artists, researchers, and art audiences ways to understand how voices exist in between theoretical discourses and how with their utterance's artists create new dispositions in space by reworking genres to critique cultural form and meaning. It will be of great interest to students and practitioners of sound art, visual culture and theatre and performance"-- |
| Assigning source | Provided by publisher. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Voice in art. |
| 9 (RLIN) | 4125 |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Online version: |
| Main entry heading | Couzins, Richard. |
| Title | Voice as art |
| Edition | First Edition. |
| Place, publisher, and date of publication | New York : Routledge, 2022 |
| International Standard Book Number | 9780429351266 |
| Record control number | (DLC) 2021054818 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Source of classification or shelving scheme | Library of Congress Classification |
| Koha item type | Books |
| 999 ## - SYSTEM CONTROL NUMBERS (KOHA) | |
| Koha biblionumber | 4099 |
| Koha biblioitemnumber | 4099 |
| 999 ## - SYSTEM CONTROL NUMBERS (KOHA) | |
| Koha biblioitemnumber | 4099 |
| Date last seen | Total Checkouts | Full call number | Barcode | Price effective from | Koha item type | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Withdrawn status | Home library | Current library | Shelving location | Date acquired |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 02/15/2023 | N8257.5 .C68 2022 | 0007848 | 02/15/2023 | Books | Library of Congress Classification | Available for loans | SPAA Library | SPAA Library | General Collection | 02/15/2023 |