MARC details
| 000 -LEADER |
|---|
| fixed length control field |
03846cam a2200505 i 4500 |
| 001 - CONTROL NUMBER |
|---|
| control field |
1026255138 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
180301t20182017enk b 001 0 eng d |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
YDX |
| Language of cataloging |
eng |
| Transcribing agency |
YDX |
| Modifying agency |
OCLCQ |
| -- |
NBU |
| -- |
OCLCF |
| -- |
UKCRE |
| -- |
OCLCQ |
| -- |
OCLCO |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
1350086657 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9781350086654 |
| 043 ## - GEOGRAPHIC AREA CODE |
|---|
| Geographic area code |
e------ |
| 050 14 - LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
PN2582.A87 |
| Item number |
S38 2018 |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
792 |
| Edition number |
23 |
| 029 1# - OTHER SYSTEM CONTROL NUMBER (OCLC) |
|---|
| OCLC library identifier |
NLGGC |
| System control number |
431350353 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Schulze, Daniel, |
| Relator term |
author. |
| 9 (RLIN) |
3397 |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Authenticity in contemporary theatre and performance : |
| Remainder of title |
make it real / |
| Statement of responsibility, etc. |
Daniel Schulze. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
London, UK ; |
| -- |
New York, NY : |
| Name of producer, publisher, distributor, manufacturer |
Bloomsbury Methuen Drama, |
| Date of production, publication, distribution, manufacture, or copyright notice |
2018. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Date of production, publication, distribution, manufacture, or copyright notice |
©2017 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xii, 284 pages ; |
| Dimensions |
22 cm |
| 336 ## - CONTENT TYPE |
|---|
| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
|---|
| Media type term |
unmediated |
| Media type code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
|---|
| Carrier type term |
volume |
| Carrier type code |
nc |
| Source |
rdacarrier |
| 490 1# - SERIES STATEMENT |
|---|
| Series statement |
Methuen Drama engage |
| 501 ## - WITH NOTE |
|---|
| With note |
P.B |
| 501 ## - WITH NOTE |
|---|
| With note |
P.B |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Includes bibliographical references (pages 261-279) and indexes. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
"Authenticity is one of the major values of our time. It is visible everywhere, from clothing to food to self-help books. While it is such a prevalent phenomenon, it is also very evasive. This study analyses the 'culture of authenticity' as it relates to theatre and establishes a theoretical framework for analysis. Daniel Schulze argues that authenticity is sought out and marked by the individual and springs from a culture that is perceived as inherently fake and lacking depth. The study examines three types of performances that exemplify this structure of feeling: intimate theatre seen in Forced Entertainment productions such as Quizoola! (1996, 2015), as well as one-on-one performances, such as Oentroerend Goed's Internal (2009); immersive theatres as illustrated by Punchdrunk's shows The Masque of the Red Death (2007) and The Drowned Man (2013) which provide a visceral, sensate understanding for audiences; finally, the study scrutinises the popular category of documentary theatre through various examples such as Robin Soan's Talking to Terrorists (2005), David Hare's Stuff Happens (2004), Edmund Burke's Black Watch (2007) and Dennis Kelly's pseudo-documentary play Taking Care of Baby (2007). It is specifically the value of the document that lends such performances their truth-value and consequently their authenticity. The study analyses how the success of these disparate categories of performance can be explained through a common concern with notions of truth and authenticity. It argues that this hunger for authentic, unmediated experience is characteristic of a structure of feeling that has superseded postmodernism and that actively seeks to resignify artistic and cultural practices of the everyday"-- |
| Assigning source |
Provided by publisher |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
1. In search of authenticity -- 2. Intimate theatre -- 3. Immersive theatre -- 4. Documentary theatre -- 5. An ending. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Authenticity (Philosophy) in the theater |
| Geographic subdivision |
Europe. |
| 9 (RLIN) |
3398 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Authenticity (Philosophy) in literature. |
| 9 (RLIN) |
3399 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
European drama |
| Chronological subdivision |
21st century |
| General subdivision |
History and criticism. |
| 9 (RLIN) |
3400 |
| 650 #6 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Authenticité (Philosophie) au théâtre |
| Geographic subdivision |
Europe. |
| 9 (RLIN) |
3401 |
| 650 #6 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Authenticité (Philosophie) dans la littérature. |
| 9 (RLIN) |
3402 |
| 650 #6 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Théâtre européen |
| Chronological subdivision |
21e siècle |
| General subdivision |
Histoire et critique. |
| 9 (RLIN) |
3403 |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Authenticity (Philosophy) in literature. |
| Source of heading or term |
fast |
| Authority record control number or standard number |
(OCoLC)fst00821636 |
| 9 (RLIN) |
3399 |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Authenticity (Philosophy) in the theater. |
| Source of heading or term |
fast |
| Authority record control number or standard number |
(OCoLC)fst01982893 |
| 9 (RLIN) |
3404 |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
European drama. |
| Source of heading or term |
fast |
| Authority record control number or standard number |
(OCoLC)fst00916697 |
| 9 (RLIN) |
3405 |
| 651 #7 - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME |
|---|
| Geographic name |
Europe. |
| Source of heading or term |
fast |
| Authority record control number or standard number |
(OCoLC)fst01245064 |
| 9 (RLIN) |
3406 |
| 648 #7 - SUBJECT ADDED ENTRY--CHRONOLOGICAL TERM |
|---|
| Chronological term |
2000-2099 |
| Source of heading or term |
fast |
| 655 #7 - INDEX TERM--GENRE/FORM |
|---|
| Genre/form data or focus term |
Criticism, interpretation, etc. |
| Source of term |
fast |
| Authority record control number or standard number |
(OCoLC)fst01411635 |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
|---|
| Uniform title |
Methuen drama engage. |
| 9 (RLIN) |
1656 |
| 938 ## - |
|---|
| -- |
Brodart |
| -- |
BROD |
| -- |
121819175 |
| 938 ## - |
|---|
| -- |
YBP Library Services |
| -- |
YANK |
| -- |
15177488 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Koha item type |
Books |
| 999 ## - SYSTEM CONTROL NUMBERS (KOHA) |
|---|
| Koha biblionumber |
3971 |
| Koha biblioitemnumber |
3971 |
