So you want to be a theatre designer? / (Record no. 387)

MARC details
000 -LEADER
fixed length control field 03623namna2200337 i 4500
003 - CONTROL NUMBER IDENTIFIER
control field Uk
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20240528083143.0
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781848423541
Qualifying information (paperback) :
Terms of availability £12.99
040 ## - CATALOGING SOURCE
Transcribing agency AE-ShPAA
050 04 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PN2091.S8
Item number P38 2015
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 792.02/5
Edition number 23
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Pavelka, Michael,
Relator term author.
9 (RLIN) 17473
245 10 - TITLE STATEMENT
Title So you want to be a theatre designer? /
Statement of responsibility, etc. Michael Pavelka ; foreword by Alison Chitty.
246 3# - VARYING FORM OF TITLE
Title proper/short title So you want to be a theater designer?
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture London :
Name of producer, publisher, distributor, manufacturer Nick Hern Books,
Date of production, publication, distribution, manufacture, or copyright notice [2015]
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©2015
300 ## - PHYSICAL DESCRIPTION
Extent xxi, 390 pages :
Other physical details illustrations (black and white) ;
Dimensions 22 cm.
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term unmediated
Media type code n
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term volume
Carrier type code nc
Source rdacarrier
490 1# - SERIES STATEMENT
Series statement So you want to be series
501 ## - WITH NOTE
With note P.B
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Foreword -- Prologue: Theatre design in the modern age -- Part one: What is contemporary theatre design? Theatre design or scenography? ; Set and prop design ; Costume design ; Masks and make-up ; Design for opera: music, voice and image ; Design for dance: space, body and image ; Site-specific theatre ; Original practices: theatre or museum? ; Lighting and video design ; Crossing the line: theatre vs. TV and film -- Part two: What skills do you need and how do you get them? The 'natural,' the 'nurtured' and the 'convert' ; The artist ; The architect ; The stylist ; The technician ; The diplomat -- Part three: Education or training? Training in a drama school ; Learning in an art school ; Other backgrounds ; Working your way 'up the ranks' -- Part four: What's in a design? A designer's reading of the script ; Research and plotting ; The discipline of drawing for designers ; First sketches ; Renderings ; Storyboards ; Technical drawings ; Costume drawings ; Furniture and prop research, reference and other drawings ; Models: actual or virtual? ; A word about theatre space -- Part five: Who do you work with and how does design affect them? Producers ; Artistic directors and directors ; Choreographers ; Other designers ; Production managers ; Costume supervisors ; Stage management ; Scenic and costume technicians ; Box office and front-of-house managers ; Publicity and marketing -- Part six: How do you land your first productions? Theatregoing ; Networking ; Subsidy -- Part seven: A theatre designer's production timeline. Contracts and letters of agreement: how design triggers payment ; How do you need to prepare for your first design meeting? ; Pace, intensity and rhythm ; When do your ideas start to 'go public'? ; What do you need for the 'white-card model' stage? ; Costing your design ; What do you need for your first major production meeting? ; What do you need for the start of rehearsals? ; What is a designer's relationship to the rehearsal process? ; Production week: how do designers approach technical and dress rehearsals? ; First performances and press night ; Touring and commercial projects ; Aftercare and further uses of a design ; Sustainability -- Part eight: Help! Agents, unions and societies. Before the job ; On the job -- Part nine: Your workplace. In the studio or workroom: What building? What equipment? What environment? ; In the theatre: a survival kit -- Part ten: Promoting your future and building a legacy. Web-based and hard-copy folios ; Exhibitions ; Archiving -- Epilogue: Where does theatre design go from here?
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Costume.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Set designers.
9 (RLIN) 17474
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Theaters
General subdivision Stage-setting and scenery.
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title So you want to be a--
9 (RLIN) 17475
910 ## - USER-OPTION DATA (OCLC)
User-option data 673
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Books
999 ## - SYSTEM CONTROL NUMBERS (KOHA)
Koha biblionumber 387
Koha biblioitemnumber 387
Holdings
Date last seen Total Checkouts Full call number Barcode Price effective from Koha item type Lost status Source of classification or shelving scheme Damaged status Not for loan Collection code Withdrawn status Home library Current library Shelving location Date acquired
03/10/2025   PN2091.S8 P38 2015 0000334 02/02/2022 Books   Library of Congress Classification   Available for loans On Shelves   SPAA Library SPAA Library General Collection 02/02/2022