The performance studies reader / (Record no. 3429)

MARC details
000 -LEADER
fixed length control field 06852cam a2200541 i 4500
003 - CONTROL NUMBER IDENTIFIER
control field AE-ShPAA
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 150225t20162016enk b 001 0 eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 1138023353
Qualifying information hardback
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 1138023361
Qualifying information paperback
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781138023352
Qualifying information hardback
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781138023369
Qualifying information paperback
040 ## - CATALOGING SOURCE
Transcribing agency AE-ShPAA
040 ## - CATALOGING SOURCE
Original cataloging agency DLC
Language of cataloging eng
Description conventions rda
Transcribing agency DLC
Modifying agency STF
-- YDXCP
-- CTW
-- BDX
-- OCLCF
-- CDX
-- CIA
-- HTM
-- NLGGC
-- CHVBK
-- COO
-- CDN
-- S3O
-- OCLCQ
-- UWO
-- IOG
-- OCLCO
-- OSU
-- IL4J6
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-- YDX
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-- KTU
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042 ## - AUTHENTICATION CODE
Authentication code pcc
050 00 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PN2041.A57
Item number P49 2016
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 791
Edition number 23
245 04 - TITLE STATEMENT
Title The performance studies reader /
Statement of responsibility, etc. edited by Henry Bial and Sara Brady.
250 ## - EDITION STATEMENT
Edition statement Third edition.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Abingdon, Oxon ;
-- New York :
Name of producer, publisher, distributor, manufacturer Routledge :
-- Imprint of the Taylor & Francis Group,
Date of production, publication, distribution, manufacture, or copyright notice 2016.
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©2016
300 ## - PHYSICAL DESCRIPTION
Extent xvi, 420 pages :
Other physical details illustrations ;
Dimensions 25 cm
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term unmediated
Media type code n
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term volume
Carrier type code nc
Source rdacarrier
501 ## - WITH NOTE
With note P.B
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references and index.
505 00 - FORMATTED CONTENTS NOTE
Miscellaneous information Introduction /
Statement of responsibility Henry Bial with Sara Brady --
Title What is performance studies?
-- Performance studies: the broad spectrum approach /
Statement of responsibility Richard Schechner --
Title The liminal-norm /
Statement of responsibility Jon McKenzie --
Title Professing performances: disciplinary genealogies /
Statement of responsibility Shannon Jackson --
Title Performance studies /
Statement of responsibility Barbara Kirshenblatt-Gimblett --
Title Performance studies: interventions and radical research /
Statement of responsibility Dwight Conquergood --
Title Social performance studies: discipline vs. freedom /
Statement of responsibility Faye C. Fei and William H. Sun --
Title What is performance?
-- Performances: belief in the part one is playing /
Statement of responsibility Erving Goffman --
Title Blurred genres: the refiguration of social thought /
Statement of responsibility Clifford Geertz --
Title Excerpt from "Restoration of behavior" /
Statement of responsibility Richard Schechner --
Title What is performance? /
Statement of responsibility Marvin Carlson --
Title Marina Abramović: witnessing shadows /
Statement of responsibility Peggy Phelan --
Title Performance: the blunders of Orpheus /
Statement of responsibility Joseph Roach --
Title Ritual.
-- Liminality and communitas /
Statement of responsibility Victor Turner --
Title "Performance" and other analogies /
Statement of responsibility Catherine Bell --
Title "The blood that runs through the veins": the creation of identity and a client's experience of Cuban-American Santería Dilogún divination /
Statement of responsibility Michael Atwood Mason --
Title Saint Orlan: ritual as violent spectacle and cultural criticism /
Statement of responsibility Alyda Faber --
Title Performative commemoratives, the personal, and the public: spontaneous shrines, emergent ritual /
Statement of responsibility Jack Santino --
Title Reenactment and relative pain /
Statement of responsibility Rebecca Schneider --
Title Play.
-- The nature and significance of play as a cultural phenomenon /
Statement of responsibility Johan Huizinga --
Title A theory of play and fantasy /
Statement of responsibility Gregory Bateson --
Title The ambiguity of play: rhetorics of fate /
Statement of responsibility Brian Sutton-Smith --
Title Just doing /
Statement of responsibility Allan Kaprow --
Title An evolutionary perspective on play, performance, and ritual /
Statement of responsibility Bruce McConachie --
Title The soldier cycle: Harun Farocki's Images of war (at a distance) /
Statement of responsibility Sara Brady.
505 80 - FORMATTED CONTENTS NOTE
Title Performativity.
-- How to do things with words: lecture II /
Statement of responsibility J.L. Austin --
Title Excerpt from "Signature event context" /
Statement of responsibility Jacques Derrida --
Title Performative acts and gender constitution: an essay in phenomenology and feminist theory /
Statement of responsibility Judith Butler --
Title Introduction to Performativity and performance /
Statement of responsibility Andrew Parker and Eve Kosofsky Sedgwick --
Title Theater and anthropology, theatricality and culture /
Statement of responsibility Johannes Fabian --
Title Utopian performatives /
Statement of responsibility Jill Dolan --
Title Performing.
-- A dialogue about acting /
Statement of responsibility Bertolt Brecht --
Title The actor's technique /
Statement of responsibility Jerzy Grotowski --
Title A dream of passion /
Statement of responsibility Lee Strasberg --
Title Excerpt from The rainbow of desire /
Statement of responsibility Augusto Boal --
Title Reconsidering Stanislavsky: feeling, feminism, and the actor /
Statement of responsibility Rhonda Blair --
Title Addenda, phenomenology, embodiment: cyborgs and disability performance /
Statement of responsibility Petra Kuppers --
Title Performance processes.
-- First attempts at a stylized theatre /
Statement of responsibility Vsevolod Meyerhold --
Title The oral artist: training and preparation /
Statement of responsibility Isidore Okpewho --
Title The deep order called turbulence: the three faces of dramaturgy /
Statement of responsibility Eugenio Barba --
Title The archaeology of performance /
Statement of responsibility Mary Zimmerman --
Title Excerpt from Postdramatic theatre /
Statement of responsibility Hans-Thies Lehmann --
Title Excerpt from The emancipated spectator /
Statement of responsibility Jacques Rancière --
Title From page to stage: the making of Sweet tea /
Statement of responsibility E. Patrick Johnson --
Title Global and intercultural performances.
-- Performing ethnography /
Statement of responsibility Victor Turner with Edie Turner --
Title Of mimicry and man /
Statement of responsibility Homi K. Bhabha --
Title Translating performance /
Statement of responsibility Diana Taylor --
Title Interweaving cultures in performance: different states of being in-between /
Statement of responsibility Erika Fischer-Lichte --
Title Hemispheric America in deep time /
Statement of responsibility Jill Lane --
Title Orature and cyberture /
Statement of responsibility Ngũgĩ Wa Thiong'O --
Title Performance studies 3.0 /
Statement of responsibility Henry Bial.
520 ## - SUMMARY, ETC.
Summary, etc. Since its first publication in 2004, The Performance Studies Reader has become the leading anthology of key writings on performance studies. Now in its third edition, it continues to offer an unparalleled selection of work by the foremost scholars in this continually evolving field. These critical and theoretical contributions are joined in this edition by 16 new chapters, bringing the collection up to date with current discourse and ideas, and cross referencing exactly with Richard Schechner's Performance Studies: An Introduction. The two volumes combine perfectly to offer a unique and complete teaching resource. The Performance Studies Reader is also widely used by students and scholars around the world as a stand-alone text, offering a stimulating introduction to the crucial debates of performance studies. Each essay now includes new contextual headnotes from the editors, to introduce students to the writer and their impact on the field. Newly added to this edition are contributions from: Augusto Boal, Jill Dolan, Faye C. Fei and William H. Sun, Erika Fischer-Lichte, E. Patrick Johnson, Petra Kuppers, Hans-Thies Lehmann, Bruce McConachie, Jacques Ranciere, Joseph Roach, Rebecca Schneider, and Ngugi wa Thiong'o. The Reader provides an overview of the full range of performance theory for undergraduates at all levels, and beginning graduate students in performance studies, theatre, performing arts, and cultural studies.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Performing arts.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Theater
General subdivision Anthropological aspects.
9 (RLIN) 525
650 #6 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Arts du spectacle.
9 (RLIN) 526
650 #6 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Théâtre
General subdivision Aspect anthropologique.
9 (RLIN) 527
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Performance
Miscellaneous information Künste
9 (RLIN) 528
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Performing arts.
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Performing arts.
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Scenisk konst.
9 (RLIN) 529
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Schauspielkunst
9 (RLIN) 269
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Teaterantropologi.
9 (RLIN) 530
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Theater
General subdivision Anthropological aspects.
9 (RLIN) 525
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Theater
General subdivision Anthropological aspects.
9 (RLIN) 525
650 17 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Uitvoerende kunsten.
9 (RLIN) 531
655 #7 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Handboeken (vorm)
9 (RLIN) 532
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Bial, Henry,
Dates associated with a name 1970-
Relator term editor.
9 (RLIN) 533
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Brady, Sara,
Relator term editor.
9 (RLIN) 534
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Library of Congress Classification
Koha item type Books
991 ## -
-- 0007228
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Collection code Home library Current library Shelving location Date acquired Total Checkouts Full call number Barcode Date last seen Price effective from Koha item type
    Library of Congress Classification   Available for loans On Shelves SPAA Library SPAA Library General Collection 08/25/2022   PN2041.A57 P49 2016 0007228 03/10/2025 08/25/2022 Books