A new art : photography and impressionism /
A new art : photography and impressionism /
edited by Ortrud Westheider, Michael Philipp and Daniel Zamani ; exhibition and catalog: Ulrich Pohlmann with Helene von Saldern ; exhibition curator, Wuppertal: Anna Baumberger ; with contributions by Monika Faber [and 8 others].
- 280 pages : illustrations ; 31 cm
SIBF2023
P.B
Includes bibliographical references (pages 270-276).
Foreword -- Rivalry and Emancipation: Photography and the Traditional Fine Arts in the Nineteenth Century / Countryside, Seaside, City: Painting and Photography en plein air / Fleetingness: Paris, Modernity, and the Arts / Taches: Spots, Blots, and Blurs in Impressionism and Photography / Color Experiments: The Vienna Camera-Club / The Path to the Museum: Early Photographic Collections in Germany / Majestic Expanses: Sky and Sea -- Center of Modernity: Paris -- Shadow and Light: Forest Scenes -- Everyday Motifs: Countryside and River -- Painterly Photographs: Pictorialism -- The World in Color: Autochromes -- Ulrich Pohlmann -- Dominique de Font-Rǎulx -- Bernd Stiegler -- Matthias Krüger -- Monika Faber -- Esther Ruelfs -- Daniel Zamani -- Miriam Leimer -- Christine Rottmeier Kess -- Catalog of Exhibited Works / List of Exhibited Works -- Biographies / Dialogue: Photography and Painting, 1860-1914 -- Glossary / Selected Bibliography -- Image Credits -- Authors.
"In the 19th century, numerous photographers chose the same motifs as Impressionist painters: the forest of Fontainebleau, the cliffs of Étretat or the modern metropolis of Paris. They, too, studied the changing light, seasons and weather conditions. From its inception, photographers pursued artistic ambitions, as evidenced by their experimentation with composition and perspective, by means of various technical procedures. Until the First World War, the relationship between photography and painting was characterized both by competition and mutual influence. The exhibition and catalogue examine these interactions and illuminate the development of the new medium from the 1850s to its establishment as an autonomous art form around 1900"--
"A New Art: Photography and Impressionism" : Feburary 12-May 8, 2022, Museum Barberini, Potsdam, Germany. "A New Art: Photography and Impressionism" : October 2, 2022-January 8, 2023, Von der Heydt-Museum, Wuppertal, Germany.
3791379402 9783791379401 9783791390802 3791390805
2022930016
GBC208342 bnb
020451939 Uk
1800-1899
Art and photography--History--Europe--19th century--Exhibitions.
Photography, Artistic--19th century--Exhibitions.
Impressionism (Art)--Europe--Exhibitions.
Photographie--Histoire--19e sic̈le--Expositions.
Impressionnisme (Art)--Expositions.
Art et photographie--Histoire--19e sic̈le--Expositions.
Art and photography
Impressionism (Art)
Photography
exhibition catalogs.
Illustrated works
Essays
Exhibition catalogs
History
Exhibition catalogs.
Essays.
Illustrated works.
Catalogues d'exposition.
Ouvrages illustrš.
N72.P5 / N4713 2022
770.9/034
SIBF2023
P.B
Includes bibliographical references (pages 270-276).
Foreword -- Rivalry and Emancipation: Photography and the Traditional Fine Arts in the Nineteenth Century / Countryside, Seaside, City: Painting and Photography en plein air / Fleetingness: Paris, Modernity, and the Arts / Taches: Spots, Blots, and Blurs in Impressionism and Photography / Color Experiments: The Vienna Camera-Club / The Path to the Museum: Early Photographic Collections in Germany / Majestic Expanses: Sky and Sea -- Center of Modernity: Paris -- Shadow and Light: Forest Scenes -- Everyday Motifs: Countryside and River -- Painterly Photographs: Pictorialism -- The World in Color: Autochromes -- Ulrich Pohlmann -- Dominique de Font-Rǎulx -- Bernd Stiegler -- Matthias Krüger -- Monika Faber -- Esther Ruelfs -- Daniel Zamani -- Miriam Leimer -- Christine Rottmeier Kess -- Catalog of Exhibited Works / List of Exhibited Works -- Biographies / Dialogue: Photography and Painting, 1860-1914 -- Glossary / Selected Bibliography -- Image Credits -- Authors.
"In the 19th century, numerous photographers chose the same motifs as Impressionist painters: the forest of Fontainebleau, the cliffs of Étretat or the modern metropolis of Paris. They, too, studied the changing light, seasons and weather conditions. From its inception, photographers pursued artistic ambitions, as evidenced by their experimentation with composition and perspective, by means of various technical procedures. Until the First World War, the relationship between photography and painting was characterized both by competition and mutual influence. The exhibition and catalogue examine these interactions and illuminate the development of the new medium from the 1850s to its establishment as an autonomous art form around 1900"--
"A New Art: Photography and Impressionism" : Feburary 12-May 8, 2022, Museum Barberini, Potsdam, Germany. "A New Art: Photography and Impressionism" : October 2, 2022-January 8, 2023, Von der Heydt-Museum, Wuppertal, Germany.
3791379402 9783791379401 9783791390802 3791390805
2022930016
GBC208342 bnb
020451939 Uk
1800-1899
Art and photography--History--Europe--19th century--Exhibitions.
Photography, Artistic--19th century--Exhibitions.
Impressionism (Art)--Europe--Exhibitions.
Photographie--Histoire--19e sic̈le--Expositions.
Impressionnisme (Art)--Expositions.
Art et photographie--Histoire--19e sic̈le--Expositions.
Art and photography
Impressionism (Art)
Photography
exhibition catalogs.
Illustrated works
Essays
Exhibition catalogs
History
Exhibition catalogs.
Essays.
Illustrated works.
Catalogues d'exposition.
Ouvrages illustrš.
N72.P5 / N4713 2022
770.9/034